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Many podcasts are still encoded at 128–192 kbps to reduce bandwidth, which leads to noticeable quantization noise, especially in low‑frequency male voices. Additionally, inconsistent loudness normalization creates abrupt level changes between episodes. 0.001) between categories
ANOVA revealed a statistically significant difference (p < 0.001) between categories, with music scoring highest.
Correlation analysis showed:
| Stakeholder | Action | Expected Benefit | |-------------|--------|------------------| | Content Creators | Encode all speech content with AAC‑LC at ≥ 256 kbps; apply ITU‑R BS.1770‑4 loudness normalization to –16 LUFS. | Improves MOS by ~0.4 points; reduces listener fatigue. | | Platform Engineers | Integrate Opus (48 kHz, 96 kbps) as a low‑bandwidth fallback; refine ABR thresholds to avoid sub‑128 kbps drops. | Maintains acceptable MOS (> 4.0) even on 3 G networks. | | UX Designers | Offer a “High‑Quality” toggle that forces the highest bitrate when bandwidth permits. | Empowers power users; increases perceived control. | | Quality Assurance | Implement automated POLQA testing on every uploaded file; flag any file with SNR < 70 dB. | Prevents low‑quality uploads from reaching end‑users. |
