Battleship -2012-2012 May 2026
Peter Berg (The Kingdom, Friday Night Lights) directed the film. He brought a kinetic, shaky-cam style that mimicked the Transformers aesthetic popularized by Michael Bay. The film is visually saturated with lens flares, metallic sheens, and explosive pyrotechnics.
Berg, known for his love of the military, ensured the film served as a massive tribute to the U.S. Navy. The production received unprecedented cooperation from the Department of Defense, filming on actual active-duty ships and using real veterans as extras. Battleship -2012-2012
Filming took place primarily in Hawaii and aboard actual U.S. Navy vessels. The production was granted unprecedented access to military assets, shooting on the USS Missouri (now a museum ship at Pearl Harbor) and active destroyers. To ensure realism, director Peter Berg embedded himself with Navy SEALs and visited ships in the Middle East. Peter Berg ( The Kingdom , Friday Night
The title refers to "Battleship." Not destroyers, not cruisers. Battleships. And the film’s true hero is not any human actor but the legendary USS Missouri (BB-63), the site of the Japanese surrender that ended World War II. Berg, known for his love of the military,
After the modern Arleigh Burke-class destroyers USS John Paul Jones and USS Sampson are sunk by alien projectiles, the surviving crew—led by Hopper and a group of scrappy veterans—must find a way to fight back. Their solution? Reactivate the Missouri, a decommissioned museum ship moored at Pearl Harbor.
The sequence of the Missouri awakening is the film’s undeniable masterpiece. A retired veteran, who served on the ship in the 1980s, sneaks aboard to help. As the alien warships close in, the veterans start the engines. The camera pans over the massive 16-inch (406 mm) guns. An old sailor, played by real-life veteran and actor Gregory D. Gadson (an Army colonel who lost both legs in Iraq), orders: "Load the guns."
For five uninterrupted minutes, Battleship stops being a board game adaptation and becomes a love letter to naval history. The Missouri’s nine Mark 7 guns swivel and fire. The shells—weighing as much as a small car—fly in slow motion. The aliens do not know what hit them. It is loud, patriotic, and genuinely moving. If you watch the film for one reason, it is to see a World War II veteran cry as he fires a gun he last touched forty years ago.