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In the spring of 2015, Neill Blomkamp—the visionary director who brought the world the gritty apartheid-allegory District 9—returned with his sophomore major studio effort, Chappie. Marketed as a high-octane action flick about a police robot gone rogue, the film instead revealed itself to be a bizarre, heartfelt, and often chaotic fairy tale about artificial intelligence. While the film was met with a polarizing critical reception upon release, a re-evaluation of Chappie reveals a deeply ambitious exploration of what it means to have a soul, unburdened by the sterile tropes of modern sci-fi. The keyword "free" doesn't have to mean illegal
Perhaps the most compelling aspect of Chappie is its third act, which pushes the boundaries of the genre. The film moves beyond "Can a robot feel?" to "Can a robot cheat death?" Marketed as a high-octane action flick about a
Deon Wilson’s experimental code allows for the transfer of consciousness. In the film's poignant finale, when Chappie’s battery is dying and Yolandi is killed, the AI manages to transfer Yolandi’s consciousness into a spare robot body, and eventually transfers Deon’s mind as well. The film ends with the three of them—a new form of family—driving into the sunset as digital immortals. It is a bold, optimistic conclusion that suggests humanity’s future might not be biological, but digital.