Ezekiel Said He Saw Him -i Call Jesus My Rock- Lyrics ✦ Newest & Authentic
The opening line — “Ezekiel said he saw him” — refers directly to Ezekiel 1, one of the most stunning theophanies (visible manifestations of God) in Scripture.
“I saw seven golden lampstands, and in the midst of the lampstands One like the Son of Man... His head and hair were white like wool, His eyes like a flame of fire.”
John saw the risen, ascended Christ walking among His churches (the candlesticks) — inspecting, purifying, and reigning.
Each prophet saw a different facet of Jesus: Ezekiel saw His glory, Daniel saw His authority, John saw His presence among believers.
Head knowledge of visions becomes heart knowledge: “I call Jesus my Rock.” That’s worship — not just facts about God, but faith in God.
Ezekiel said he saw Him
Way up in the middle of the air
John said he saw Him
With hair like wool and His feet like brass
Daniel said he saw Him
And the Ancient of Days did stand
But I don't have to see Him with my natural eyes
To know He's the Son of man
Chorus:
I call Jesus my Rock
I call Him my Morning Star
I call Jesus my Friend
The Lily of the Valley, the Bright and Morning Star
I call Jesus my Peace
When this old world has trouble in sight
I call Jesus my Rock
He's the Rock in a weary land
Ezekiel said he saw Him
A wheel in the middle of a wheel
John said he saw Him
And the temple filled with smoke
Daniel said he saw Him
And he saw the Son of man come down
But I don't have to see Him with my natural eyes
To know He wears the crown
(Repeat Chorus)
“Ezekiel said he saw him — I call Jesus my Rock.” That short line packs centuries of revelation into a single breath. Ezekiel saw Him in the cloud and fire. Daniel saw Him on the judgment throne. John saw Him among the lampstands. But the song doesn’t end with their testimony — it ends with yours.
Today, you don’t need a whirlwind or a sapphire throne. You need a Rock. And He’s the same yesterday, today, and forever.
So sing it. Declare it. Pray it.
Ezekiel said he saw Him — but I call Jesus my Rock.
Further Reading:
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The lyrics "Ezekiel said he saw him -i call jesus my rock" originate from the classic gospel song "Jesus Is My Rock." This powerful song blends Old Testament prophecy with modern faith. It focuses on the image of God as a solid, dependable foundation in challenging times. Often, this song is performed with a vibrant, driving tempo and a call-and-response style that encourages communal worship. The enduring popularity of this song stems from its simple yet profound message, connecting ancient divine visions to personal salvation.
The wind in the Negev doesn’t just blow; it scours. It strips the paint from old trucks and the hope from old men.
Elias sat on the porch of his weathered farmhouse, his calloused hands wrapped around a ceramic mug of black coffee. The sun was bleeding into the horizon, painting the desert in shades of violet and bruised orange. Behind him, through the screen door, he could hear the faint crackle of the radio. It was tuned to a gospel station out of Jerusalem, the signal fading in and out with the dust devils.
A melody drifted out, a simple, acoustic refrain that the local station played often in the twilight hours. Elias knew the words by heart, though he rarely sang them aloud. “I call Jesus my rock, my fortress in the storm.”
He took a sip of coffee, his eyes fixed on the empty stretch of highway that cut through the valley like a scar.
"You're waiting for him again," a voice said.
Elias didn't turn. It was Sarah, his neighbor, leaning on the fence with a basket of figs. She was a practical woman, her faith as sturdy and unadorned as the stone walls of her home.
"He said he’d be back by the harvest," Elias grunted.
"It’s been three harvests, Elias."
"Time moves differently for some."
Sarah sighed, setting the basket down. "You hold onto that boy too tight. It’s like trying to hold water. He was a wanderer. A dreamer. Like his grandfather."
"He was a seeker," Elias corrected softly. "And he found something."
The radio inside crackled loudly, the static overwhelming the music for a moment before the signal cleared. The singer’s voice rose, soulful and gritty: “Ezekiel said he saw him...”
"He wrote me a letter," Elias said, ignoring the music. "Two years ago. From the north. He said the prophets were speaking to him again. He said the wheel within the wheel was turning." The opening line — “Ezekiel said he saw
Sarah looked at him with pity. "Elias, the boy was tired. He was lonely."
"No," Elias insisted, his voice gaining an edge. "He wasn't lonely. He was full. He told me he met a man in the ruins by the river. A carpenter, he said. But when the man spoke, the wind stopped." Elias finally turned to look at her, his eyes wet. "Ezekiel said he saw him. That's what my boy wrote. Ezekiel said he saw him. And now, my boy says he sees him too."
Sarah shook her head gently. She didn't argue theology with Elias; she knew his stubbornness was the only thing keeping him upright. She left the figs on the bench and walked away, her footsteps crunching on the gravel.
Elias sat alone again. The sun dipped lower. The shadows lengthened.
He remembered the last time he saw his son, Thomas. Thomas had looked thin, ragged, but his eyes had been burning with a terrifying, brilliant clarity. He had gripped Elias’s shoulders and said, “The foundation is laid, Father. The Chief Cornerstone. I’m going to follow the river until I find the bank where the glory rests.”
Then, he had simply walked away, singing that song under his breath.
Inside the house, the song shifted to the chorus. “I call Jesus my rock, my rock in a weary land.”
Elias closed his eyes. Doubt, a familiar companion, sat down beside him. Sarah was right. It had been too long. Maybe Thomas was just a drifter lost to the madness of the desert. Maybe the "vision" was just heatstroke or hunger. Maybe the rock Elias was clinging to was just a crumbling stone.
Suddenly, a cloud of dust appeared on the horizon.
Elias leaned forward, his heart hammering against his ribs. It wasn’t a truck. It wasn’t a car. It was a figure walking, moving with a steady, rhythmic pace that seemed to eat up the miles without effort.
As the figure drew closer, the light seemed to change. The violet sky seemed to deepen, turning into a rich, royal purple. The wind, which had been howling, dropped to a whisper.
Elias stood up. The ceramic mug slipped from his hand, shattering on the stone porch, but he didn't flinch.
The figure was a man, dressed in dusty robes, looking as if he had walked a thousand miles. But he didn't walk like a tired man. He walked with purpose.
Thomas.
Elias wanted to shout, to run down the steps, but his legs were rooted. He felt a strange vibration in the ground beneath his feet—not an earthquake, but a hum, a resonance of something ancient and unshakeable.
Thomas stopped at the gate. He looked older, his hair streaked with gray, but his face... his face was smooth, peaceful, radiating a light that wasn't from the setting sun.
Thomas didn't speak. He simply raised a hand, pointing toward the east, where the first star of the night was appearing.
Then, from the radio inside the house, the song swelled to its final crescendo, the singer’s voice powerful and triumphant:
“On Christ the solid rock I stand, all other ground is sinking sand...”
Elias looked at his son. He looked at the ground beneath his own feet, which suddenly felt less like dirt and more like bedrock—deep, ancient, and immovable. He understood. Thomas hadn't been wandering. He had been walking on the water, guided by the One who calms the storms.
Thomas smiled, a smile that held the weight of the world and the lightness of a feather. He didn't need to say a word. The testimony was in his presence. He had found the Rock.
Elias took a trembling breath, the tears finally spilling over. He whispered the lyrics into the quiet evening air, no longer singing a song, but speaking a fact:
"I call Jesus my rock."
Thomas nodded once, turned, and continued walking into the night, leaving Elias standing on his porch, no longer waiting, but standing. The wind howled again, but Elias didn't feel it. He was anchored now. He had seen the witness. Ezekiel was right. The boy was right. The Rock was real.
The bridge often mentions, "He’s a rock in a weary land." This is a direct reference to Isaiah 32:2:
"And a man shall be as an hiding place from the wind, and a covert from the tempest; as rivers of water in a dry place, as the shadow of a great rock in a weary land."
This imagery portrays the world as a place of exhaustion ("weary") and turmoil ("storm"). The song posits that Jesus is not just a theological concept, but a place of rest and shelter for the tired traveler.
Q: Is this song in the public domain? A: Generally, yes, the traditional lyrics are considered public domain folk gospel, but specific recordings (like by Mississippi Mass Choir) are copyrighted. “I saw seven golden lampstands, and in the
Q: What key is this song usually sung in? A: Most gospel arrangements are in Ab or Db major to accommodate powerful alto and tenor belting.
Q: Does the song appear in any hymnals? A: It appears in The National Baptist Hymnal and various "Praise & Worship" chorus books under titles like "Ezekiel Saw the Wheel" (a different, but related spiritual) or "I Call Jesus My Rock."
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