Immoral Tales is an anthology film that weaves together three loosely connected vignettes, each exploring a different historical or mythic scenario in which sexual desire collides with social, religious, or artistic taboos:
| Segment | Setting | Core Idea | |---------|---------|-----------| | “The Death of the Virgin” | 16th‑century convent | A nun’s forbidden attraction to a priest and the ensuing clash between spiritual devotion and carnal impulse. | | “The House of the Virgin” | 18th‑century Parisian brothel | A young aristocrat learns the mechanics of pleasure from a seasoned prostitute, highlighting the transactional nature of desire. | | “The Little Girl” | 19th‑century bourgeois household | A teenage girl discovers her own sexuality while confronting the constraints imposed by her family’s moral expectations. |
The three episodes are linked by a framing device: an elderly scholar (played by Claude Piéplu) who narrates the tales as “lost manuscripts,” suggesting that the stories are part of a hidden literary tradition. fylm immoral tales 1973 mtrjm kaml may syma may syma 1
Release Year: 1974 (Note: Often mislabeled as 1973 online due to festival previews) Director: Walerian Borowczyk Country: France Genre: Erotic Drama, Arthouse, Anthology Language: French (Original)
Your search string “fylm immoral tales 1973 mtrjm kaml may syma may syma 1” breaks down as: Immoral Tales is an anthology film that weaves
| Component | Meaning | |-----------|---------| | fylm | film (فلم) | | immoral tales | Immoral Tales / Contes immoraux | | 1973 | Year (or confused with 1974) | | mtrjm | مترجم – subtitled/translated | | kaml | كامل – full/complete | | may syma | Fragmented phrase – possibly “Ma Cinema” or a name | | may syma 1 | Possibly “Part 1” of a split subtitle file |
No separate film called “May Syma” exists. It is almost certainly a garbled tag or a user-created filename. Release Year: 1974 (Note: Often mislabeled as 1973
Many sources list Immoral Tales as 1974, but Borowczyk began production in 1973 and the film premiered at the Cannes Film Festival in May 1974. Some versions leaked or were screened privately in late 1973, hence the 1973 date in your keyword.
The film was intended as a follow-up to Borowczyk’s earlier Goto, Isle of Love (1968) and Blanche (1971), but its explicit nature made it a landmark of European erotic cinema.
The film is notable for its artful cinematography, classical music (Mozart, Debussy), and literary dialogue — mixing high art with explicit content. It was controversial and banned in several countries.
The title Immoral Tales is somewhat ironic. Borowczyk does not present these tales as lessons in immorality to be condemned, nor does he strictly glorify them. He presents them as detached observations of human behavior.