Fylm The Rifleman Of The Voroshilov Regiment 1999 Mtrjm - - Fasl Alany
The story centers on Ivan Fedorovich, a lonely, elderly war veteran living in a provincial Russian town. Despite his age, he carries himself with the rigid discipline and dignity of a former "Voroshilov Sharpshooter"—an elite marksmanship title awarded during the Soviet era.
His quiet life is shattered when his teenage granddaughter, Katya, becomes the victim of a horrific crime. She is brutally raped by a group of wealthy, privileged young men. The assault is a traumatic breaking point, but the aftermath proves even more devastating for Ivan. The perpetrators are the sons of influential local officials—the district prosecutor and the police chief.
When Ivan attempts to seek justice through the legal system, he is met with a stone wall of corruption. The investigation is stalled, evidence is suppressed, and the criminals walk free, protected by their fathers' power and money. Realizing that the law has failed to protect the innocent, Ivan Fedorovich makes a fateful decision. He retrieves his old sniper rifle from the attic, determined to dispense his own form of justice.
The 1990s in Russia were marked by economic chaos, mafia violence, and police impotence. The Rifleman of the Voroshilov Regiment captured public frustration so accurately that it became a cultural phenomenon. Many viewers saw Afonin as a symbolic hero — a representative of the honest Soviet generation crushed by lawless capitalism.
الجد إيفان أفاناسيتش، رجل مسن عاش في العهد السوفيتي، كان يعمل سكيراً في الماضي. يربي حفيدته الوحيدة كاتيا بعد وفاة والدتها. في إحدى الليالي، تتعرض كاتيا للاغتصاب على يد ثلاثة شبان أثرياء وفاسدين. تذهب كاتيا والجد إلى الشرطة، لكن المحققين يهملون القضية، بل ويلمحون إلى أن الفتاة "استفزت" الشبان. هنا يقرر الجد إيفان استخدام تدريبه العسكري القديم (كان قناصاً في الحرس السوفيتي) لتحقيق العدالة بنفسه. يبدأ في اصطياد المغتصبين واحداً تلو الآخر، ليس بالضرورة لقتلهم، بل لإصابتهم في نفس المكان الذي هاجموا فيه حفيدته.
Mikhail Ulyanov delivers a powerhouse performance as the protagonist. His portrayal is not that of an action hero, but of a weary, principled man pushed to the brink. The quiet intensity he brings to the role makes the eventual violence feel heavy and consequential rather than glamorous.
Director Stanislav Govorukhin avoids stylizing the violence. The film’s tone is somber and realistic, grounding the narrative in the harsh realities of Russian provincial life. The pacing is deliberate, allowing the audience to feel the protagonist's slow burn from grief to resolve.
⭐ 4/5 – The Rifleman of the Voroshilov Regiment is a powerful, depressing, and essential Russian film about the failure of justice and the cost of vengeance. It’s not an easy watch, but it’s a memorable one. The story centers on Ivan Fedorovich, a lonely,
If you are watching an Arabic-translated version, ensure the subtitles are clear—but even with basic translation, Ulyanov’s performance transcends language.
Best for: Fans of Death Wish (but realistic), Léon: The Professional, or post-Soviet cinema.
Not for: Those seeking fast action or happy endings.
Would you like a more detailed comparison of different Arabic subtitle releases, or help finding a high-quality version?
The Rifleman of the Voroshilov Regiment (Russian: Voroshilovskiy strelok), released in 1999, is a seminal Russian crime drama directed by Stanislav Govorukhin. Based on the novel Woman on Wednesdays by Viktor Pronin, the film is a stark exploration of vigilante justice and the moral decay of post-Soviet Russia. Plot Overview
The story follows Ivan Afonin, a decorated World War II veteran who lives a quiet life with his granddaughter, Katya. Their lives are shattered when Katya is lured into an apartment and gang-raped by three wealthy, bored young men.
When Ivan seeks legal justice, he discovers that the father of one of the perpetrators is a high-ranking police official who uses his influence to have all charges dropped. Realizing that the state will not protect the innocent, Ivan takes matters into his own hands. He sells his dacha to purchase an illegal SVD sniper rifle and systematically targets the three men to deliver his own form of poetic retribution. Key Themes
Corruption and Injustice: The film critiques the "law of the jungle" in the late 1990s, where money and connections often outweighed the rule of law. Would you like a more detailed comparison of
Vigilantism: Unlike typical action movies, Ivan’s revenge is calculated and often non-fatal, designed to inflict the same sense of helplessness and pain on the criminals that they inflicted on his granddaughter.
The Generational Gap: It contrasts the moral integrity of the "Soviet hero" generation with the nihilism of the post-Soviet youth. Production and Reception
The 1999 Russian film The Rifleman of the Voroshilov Regiment Voroshilovskiy strelok ) is a crime drama directed by Stanislav Govorukhin. Movie Overview
A World War II veteran seeks vigilante justice after his granddaughter is assaulted by three young men. When the corrupt local police—influenced by the father of one of the perpetrators—close the case without charges, the grandfather uses his sharpshooting skills to systematically take revenge. Main Cast: Mikhail Ulyanov as Ivan Fyodorovich (the grandfather) Anna Sinyakina as Katya (the granddaughter) Approximately 1 hour and 35 minutes. Viewing with Subtitles
You can watch the movie with subtitles on the following platforms: Soviet Movies Online: Offers the film with English and Russian subtitles A version with English subtitles is available for streaming.
The film is listed for tracking and potentially streaming depending on regional availability on
"شاهدت اليوم 'The Rifleman of the Voroshilov Regiment' (1999) — فيلم روسي درامي يطرح قصة مؤلمة عن أب ينتقم لابنته. فيلم قوي ومؤثر، يجمع بين الإثارة والدراما الاجتماعية. أنصح به لمحبي الأعمال النفسية والانتقامية. #سينما #فيلم" Even 25+ years after its release
إذا تريد نسخة منشور أطول بصيغة رسمية أو جذابة أكثر (بالعربية الفصحى أو العامية)، أو ترجمة جاهزة للنشر، أخبرني أي نبرة تريد (رسمية — ودّية — محفزة) وسأعدها لك.
[اقتراحات بحث ذات صلة متاحة.]
It seems you are asking for a review of the film The Rifleman of the Voroshilov Regiment (1999), specifically regarding an Arabic-translated version (“mtrjm” = مترجم) and perhaps a specific release or chapter titled “fasl alany” (فصل أولاني? Possibly “first part” or a colloquial spelling).
Below is a review of the film itself, with notes on the Arabic translation where relevant.
Even 25+ years after its release, The Rifleman of the Voroshilov Regiment remains painfully relevant. In an age of vigilante films glorifying revenge (e.g., John Wick), Govorukhin’s movie stands apart because it asks uncomfortable questions:
The film is also a masterclass in slow-burn tension. The first shooting does not occur until nearly 50 minutes in. Before that, we live with Afonin’s helplessness. That emotional buildup makes the violence shocking, not exciting.