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Not all entertainment industry documentaries are the same. They have splintered into specific sub-genres, each offering a different lens on the business of fun.

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However, the genre is not without its own controversies. There is a fine line between investigative journalism and "content exploitation."

In the race to stream, we have seen a glut of documentaries that feel rushed or one-sided. The recent trend of "posthumous" documentaries raises ethical questions about consent. Can a subject truly tell their story if they are no longer here to defend their perspective? Not all entertainment industry documentaries are the same

Furthermore, there is the issue of "trauma porn." When a documentary focuses more on the salacious details of a scandal than the systemic issues that allowed it to happen, it risks trivializing the victims. As viewers, we have to ask ourselves: Are we watching to learn, or are we watching to rubberneck?

Remember the old "Making Of" featurettes? They were 20 minutes of actors smiling at craft services and saying, "Everyone became a family." That era is dead. We aren't watching these to feel good

Today’s documentaries are investigative journalism. They aren’t just documenting history; they are rewriting it. We’ve seen the rise of the "Ruin-umentary"—films that actively destroy the legacy of the thing they are about.

We aren't watching these to feel good. We are watching them to understand how the sausage is made—and to see if there is any blood in it.