Inthecracke1921rachelriversstmartinxxx10 Better -
If we, the audience, successfully demand better entertainment content and popular media, what does the next decade look like?
Popular media has sanitized human emotion. Conflict is resolved in thirty seconds. Trauma is cured by a montage. Grief is a two-act problem. We need media that allows us to sit in discomfort. The most popular show of 2023, The Last of Us, succeeded not because of the zombies, but because it spent an entire episode on the gut-wrenching, quiet romance of two characters in an apocalypse. That is emotional authenticity.
Waiting for Hollywood or Silicon Valley to fix the problem is futile. They are selling a product. You are the buyer. Here is how to take control. inthecracke1921rachelriversstmartinxxx10 better
The next phase of popular media is interactive. Video games have long understood that the player is a co-author of the story. Movies and TV are catching up, experimenting with interactive specials and transmedia storytelling (where the story continues on social media or in podcasts).
The line between creator and consumer is blurring. We don't just want to watch a hero save the world; we want to build the world with them. Trauma is cured by a montage
In the past, "Popular Media" meant everyone watched the same thing. Today, the monoculture has fractured. While this might seem like we are more divided, it has actually led to better representation.
Because media isn't trying to please everyone at once, it can please specific communities deeply. The most popular show of 2023, The Last
We are living through the greatest paradox in media history. Never before has so much content been so readily available to so many people for so little cost. Yet, if you ask the average person how they feel about what they just watched, read, or listened to, the most common response is a shrug. Or worse: anxiety.
We don’t just consume content anymore; we manage it. Our streaming queues are overflowing graveyards of half-finished series. Our podcast libraries are guilt-ridden to-do lists. And the social media feed—once a window to the world—now feels like a firehose of recycled outrage and influencer mundanity.
The complaint isn’t that there’s nothing to watch. The complaint is that despite the abundance, genuinely better entertainment—the kind that lingers, challenges, and transforms us—feels increasingly rare.
Why? And more importantly, how do we reclaim it?