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No honest article can ignore the structural pathologies. The "entertainment industry" in Japan has a famously dark underbelly.
The Geinokai (Showbiz World):
The Fandom’s Shadow: The Otaku dedication has a toxic edge. Tsuioku (stalker) behavior is rampant. Idols live under constant threat of attack from fans who view the idol as personal property—the 2014 stabbing of AKB48 members during a handshake event was a tragic culmination of this possessive fan culture. No honest article can ignore the structural pathologies
If you want to understand Japanese pop culture, you must understand the Idol. This is distinct from "musician" or "artist." The Fandom’s Shadow: The Otaku dedication has a
"J-Entertainment Hub: Discover, Track, and Dive into Japanese Pop Culture" they produce the shows
The Japanese industry is vertically integrated. Major agencies don't just represent talent; they produce the shows, manage the music labels, and control the media coverage.