Kamen Rider Faiz Paradise Lost Director 39s Cut Link May 2026

Released on DVD in Japan on February 21, 2004 (approximately six months after the theatrical premiere), the Director’s Cut (also known as the "Special Cut" or "Extended Edition") runs approximately 12–15 minutes longer than the theatrical version (75 min → ~90 min).

Key additions include:

Ryuta Tasaki has stated in interviews that the Director’s Cut is his "true vision" – the version he wanted audiences to see before studio pressure demanded a shorter runtime for theater schedules.

For direct links, always use official retailers or licensed streaming services in your region to support creators.

The Director's Cut of Kamen Rider 555 (Faiz): Paradise Lost

is a significant expansion of the 2003 theatrical release, offering additional scenes that deepen the character motivations in its dystopian alternate-reality setting.  Film Overview & Versions 

Theatrical Release: Premiered August 16, 2003, with a runtime of 81 minutes.

Director's Cut: Released May 21, 2004, extending the film to 93 minutes.

Narrative: Set in a timeline where Orphnochs have conquered the world and humanity is nearly extinct, this film is considered an alternate universe separate from the main TV series canon.  Key Differences in the Director's Cut 

The Director's Cut is widely favored by fans for adding context to the high-stakes conflict: 

Kamen Rider 555: Paradise Lost is an alternate-timeline film that reimagines the series’ world as one conquered by Orphnochs. The Director's Cut expands on the theatrical version with additional footage that fleshes out character motivations and includes a revised ending sequence. 🎬 Where to Find the Director's Cut

The Director's Cut is primarily available through physical media releases. While the original series and some modern movies have moved to streaming, the specific Paradise Lost Director's Cut remains a collector's item.

Physical Media: You can purchase the DVD or Blu-ray versions from retailers like Amazon or Solaris Japan.

Streaming Status: Currently, there is no official dedicated streaming link for the Director's Cut in Western territories. General series content and some movies appear on Tubi or Shout! Factory TV, but these typically feature theatrical versions. 🛠️ Key Differences in the Director's Cut

The Director's Cut is roughly 10–15 minutes longer than the theatrical release, focusing on narrative depth.

Pacing & Context: Additional scenes provide a better sense of time passing, making the relationships between the human resistance members feel more established.

Character Moments: Features more dialogue for the Orphnoch trio (Yuji, Naoya, and Yuka) and further exploration of the "Paradise" refugee camp.

Ending Sequence: The theatrical version ends with a "THANK YOU!" message in the credits; the Director's Cut changes this to "SEE YOU AGAIN!". 📖 Story Overview

In this timeline, Smart Brain has successfully turned 90% of the world's population into Orphnochs.

Review: Kamen Rider 555: Paradise Lost – Director’s Cut

The Verdict: The Definitive Version of a Tokusatsu Tragedy

If the original theatrical release of Paradise Lost was a high-octane popcorn flick, the Director’s Cut is the somber, character-driven war drama that the story always deserved to be. For fans of Kamen Rider 555, this extended version is not just a "bonus feature"—it is the essential viewing experience that bridges the gap between the series' bleak themes and its cinematic conclusion.

The Atmosphere: A World Ruined by Rain The most immediate improvement in the Director’s Cut is the pacing and tone. The theatrical version felt somewhat rushed, leaning heavily on the spectacle of the new Rider suits. The Director’s Cut reinserts critical scenes that let the "World of the Rider" breathe.

We see more of the human resistance’s desperation. We see Mari and the others surviving in a genuinely oppressive environment, not just talking about it. There is a pervasive sense of melancholy that permeates the extra footage—particularly in the scenes involving the thriving Orphnoch society. Seeing humans willingly lining up to "become" Orphochs adds a layer of psychological horror that was missing from the standard cut. It emphasizes the film’s central theme: humanity isn't just being hunted; it is being assimilated.

Character Arcs: Giving Takumi a Reason In the standard cut, Takumi Inui’s (Faiz) temporary allegiance with Smart Brain felt like a plot contrivance—a way to set up a cool "evil Rider" fight. The Director’s Cut fixes this narrative fracture. By restoring the scenes where Takumi interacts with the oppressed humans and witnesses the collapse of his own morality, his fall from grace feels earned.

We get a clearer look at his internal conflict. He isn’t just fighting because he’s the hero; he’s fighting because he has nothing left. The extended runtime allows his relationship with Mari to simmer rather than boil over too quickly, making the film’s tragic ending hit significantly harder. We also get more development for the secondary Riders (Kaiza and Delta), whose rivalry and exhaustion are more palpable.

The Action: Brutal and Extended You don’t watch a Kamen Rider movie for the quiet moments alone; you want the action. The Director’s Cut delivers extended fight sequences that are shockingly violent by the standards of the franchise. The brutality of the Ryuki/Orphnoch battles is emphasized, showcasing the raw power of the suits without the rapid-fire editing of the theatrical version. The final confrontation feels less like a staged wrestling match and more like a desperate struggle for survival.

The Soundtrack: A Darker Symphony The audio mix in this version deserves praise. The iconic "Justifaiz" tracks are used more sparingly, allowing the instrumental score to underscore the dramatic weight of the scenes. The silence in the ruins of the city speaks volumes, creating a soundscape that complements the visual restoration.

Final Thoughts The Kamen Rider 555: Paradise Lost Director’s Cut transforms a standard summer movie into a genuine tokusatsu epic. It leans into the tragedy of Takumi Inui, offering a version of the film that respects the intelligence of its audience. It is darker, deeper, and emotionally resonant in a way the theatrical release only hinted at.

Rating: 9/10 – A masterclass in how to restore a film’s soul.

Kamen Rider Faiz: Paradise Lost Director's Cut Link - A Deeper Dive into the World of Faiz

Kamen Rider Faiz, also known as Kamen Rider 555 (Five Five), is a popular Japanese tokusatsu series that aired from 2003 to 2004. The series was produced by Toei Company and consists of 51 episodes. It follows the story of Takumi Kashima, a young man who becomes the Kamen Rider Faiz, a powerful warrior with the ability to transform into a variety of forms.

In 2019, a special edition of the series, titled Kamen Rider Faiz: Paradise Lost Director's Cut, was released. This version of the series includes new and extended scenes, as well as a re-edited storyline. The Director's Cut was created to commemorate the 15th anniversary of the original series and provides a fresh perspective on the world of Faiz.

Recently, a link to the Kamen Rider Faiz: Paradise Lost Director's Cut was discovered online, allowing fans to access the special edition of the series. The link has generated significant buzz among fans, who are excited to experience the re-edited version of the series. kamen rider faiz paradise lost director 39s cut link

The Story of Kamen Rider Faiz

Kamen Rider Faiz takes place in the year 2003 and follows the story of Takumi Kashima, a 20-year-old motorcycle enthusiast who lives in the city of Tokyo. Takumi's life changes when he encounters a mysterious woman named Sophia, who is on the run from a group of powerful beings known as the "Smart Brain" organization.

Takumi soon discovers that he has been chosen to become the Kamen Rider Faiz, a powerful warrior with the ability to transform into a variety of forms. With the help of his friends and allies, Takumi must fight against the Smart Brain organization and their leader, the powerful and mysterious Dr. Smart Brain.

The Paradise Lost Director's Cut

The Paradise Lost Director's Cut is a re-edited version of the original series, featuring new and extended scenes that provide a deeper understanding of the story and characters. The Director's Cut includes:

The Paradise Lost Director's Cut is a must-see for fans of the original series, as it provides a new and exciting perspective on the world of Faiz. The special edition of the series has been well-received by fans and critics alike, who praise its improved pacing, new scenes, and enhanced action sequences.

The Link to the Director's Cut

Recently, a link to the Kamen Rider Faiz: Paradise Lost Director's Cut was discovered online, allowing fans to access the special edition of the series. The link has generated significant buzz among fans, who are excited to experience the re-edited version of the series.

However, it's essential to note that accessing copyrighted content through unofficial links can be considered piracy. Fans are encouraged to support the creators and producers of the series by accessing the Director's Cut through official channels.

The Impact of Kamen Rider Faiz

Kamen Rider Faiz has had a significant impact on the world of tokusatsu and Japanese popular culture. The series has inspired numerous spin-offs, movies, and merchandise, and has become a beloved franchise among fans.

The series' success can be attributed to its unique blend of action, drama, and sci-fi elements, as well as its well-developed characters and engaging storyline. Kamen Rider Faiz has also spawned numerous imitators and has influenced the development of other tokusatsu series.

Conclusion

Kamen Rider Faiz: Paradise Lost Director's Cut is a must-see for fans of the original series. The special edition provides a fresh perspective on the world of Faiz, with new and extended scenes that enhance the story and characters.

While a link to the Director's Cut has been discovered online, fans are encouraged to support the creators and producers of the series by accessing the special edition through official channels.

The world of Kamen Rider Faiz continues to captivate audiences, and the Paradise Lost Director's Cut is a testament to the enduring popularity of the series. Whether you're a longtime fan or new to the world of Faiz, the Director's Cut is an exciting and action-packed ride that's not to be missed.

Watch Kamen Rider Faiz: Paradise Lost Director's Cut

For fans interested in watching the Paradise Lost Director's Cut, we recommend accessing the special edition through official channels, such as:

By supporting the creators and producers of the series, fans can ensure the continued production of high-quality tokusatsu content.

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Kamen Rider Faiz: Paradise Lost Director's Cut Link - A Deeper Dive into the World of Faiz. Learn more about the special edition of the series, including new scenes, extended fight sequences, and a re-edited storyline.

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By following these guidelines, fans can enjoy the Kamen Rider Faiz: Paradise Lost Director's Cut while supporting the creators and producers of the series.

For fans looking for the definitive version, the Kamen Rider 555: Paradise Lost Director’s Cut expands the theatrical run from 81 minutes to 93 minutes . Directed by Ryuta Tasaki and written by Toshiki Inoue

, this alternate-universe retelling finds humanity on the brink of extinction in a world ruled by the Orphnoch. Why Watch the Director's Cut?

The Director's Cut isn't just longer; it's considered by many to be the superior way to experience this dark masterpiece. Narrative Clarity

: It restores character beats that explain the drastic shift from the TV series, such as why the Delta Gear is missing and how the world fell so quickly. Brutal Atmosphere

: The film is famous for its darker tone compared to the series. The extended runtime leans into the "misery" and high stakes of a world where 90% of the population is Orphnoch. The "Gladiator" Climax

: The finale at the Smart Brain Super Arena—often compared to Attack of the Clones

—is more impactful with the added build-up, featuring the debut of Kamen Rider Orga Kamen Rider Psyga Quick Review: "Inoue at His Most Pure" Reviewers often describe Paradise Lost

as "boiled down to its essentials". It takes the complex, often frustrating bickering of the 50-episode TV show and distills it into a high-budget, high-stakes tragedy. While the CGI shows its age, the suit designs and fight choreography—specifically the Faiz vs. Psyga showdown—remain franchise peaks. Where to Find It Released on DVD in Japan on February 21,

Official physical copies are the most reliable way to watch the Director's Cut with high-quality audio and video:

Given the specificity of your query and without a direct link or more details, I can offer some general advice on where you might find such content:

| Aspect | Theatrical | Director’s Cut | |--------|------------|----------------| | Pacing | Tighter, action-focused | Slower, more melancholic | | Character development | Minimal | Significant (Mari’s backstory added) | | Ending ambiguity | Clear “hope” ending | Darker, open-ended | | Best for | First-time viewers | Rewatches & completionists |

Veteran fans generally prefer the Director’s Cut for its emotional weight, though some find the extra fight scene with Gorilla Orphnoch disrupts the flow.

The Director's Cut of Kamen Rider 555: Paradise Lost is primarily available on physical media, featuring extended scenes and an alternate ending. The film is available through Japanese import retailers, including the CDJapan Blu-ray release that contains both the theatrical and director's cut versions. Purchase the film at

Kamen Rider 555: Paradise Lost (Director’s Cut) is widely considered the gold standard for Tokusatsu cinema. Unlike the standard theatrical release, this version breathes necessary life into the film’s bleak, alternate-timeline narrative. The Verdict: A Masterpiece of Despair

While the original cut felt like a rushed "what if" scenario, the Director’s Cut

adds roughly 20 minutes of footage that transforms the film from a standard action flick into a tragic epic [1, 2]. Why it’s the definitive version: Narrative Depth:

The extra scenes provide crucial context for the strained relationship between Takumi and Mari, making the "Paradise Lost" world feel lived-in and genuinely hopeless [2].

The theatrical cut jumps between set pieces; here, the quiet moments between the resistance members build the tension needed for the massive stadium finale [3]. The Action:

You get extended looks at the Orphnoch transformations and more visceral combat, showcasing the high-budget practical effects that defined the early 2000s Heisei era [1, 4]. The Psyche of the Orphnoch:

This cut dives deeper into the "evolve or die" philosophy of Smart Brain, making the villains feel less like monsters and more like a terrifying new world order [2]. Final Thought If you are a fan of

, this isn't just an "extended version"—it is the only version that truly captures the series' themes of isolation and the burden of being "human." It’s dark, visually stunning, and remains one of the most ambitious projects in Kamen Rider history [1, 3]. Rating: 9/10 (The pinnacle of the Faiz era) stacks up against the recent 20th Anniversary sequel Paradise Regained

Wait, but I also remember that there was a movie called "Kamen Rider Faiz: Paradise Lost" released in 2011. It's a movie about Kamen Rider Faiz, which is part of the Heisei era riders. The director's cut might be an extended version of the movie, maybe with additional scenes or director's commentary.

Now, the user is asking for a link to this director's cut. But I need to be careful here because providing direct links to copyrighted material might be against policies. Plus, links can be temporary or may link to untrustworthy sites. So, rather than giving a direct link, I should guide the user on where to legally find it.

First, check if the movie has an official director's cut. Sometimes movies get re-released on Blu-ray or DVD with special features. For Kamen Rider movies, official releases in Japan might be available on platforms like Amazon Japan, or through official distributor sites. Also, some movies get released on home media with extended versions.

But the user might be looking for an English-subbed version. If the director's cut isn't officially released, some fansubs might circulate, but I can't recommend those as they're often pirated.

Alternatively, maybe the director's cut is a separate version that was released in Japan with additional scenes. I should check if any official sources mention "Paradise Lost" having a director's cut. Maybe Toei, the company behind the series, has released it as part of a special edition or on a streaming platform after a certain date.

Looking up some information: Kamen Rider Faiz: Paradise Lost was released in 2011 in Japan. There's a theatrical re-release for the "Kamen Rider 20th Anniversary" in 2016, which might include some additional content. Also, sometimes the DVD releases include bonus material.

But to confirm if there's a director's cut specifically labeled as such, or if it's just a longer version with extra scenes. The term "director's cut" can be used even if the original release is the same. For example, some movies have "extended" or "Ultimate" versions. Maybe in Japan, there's a special edition that includes those scenes.

Also, considering the user's request, they might be referring to a version available on video-on-demand platforms. In the US, Funimation often handles Kamen Rider releases, but I'm not sure if they've released a director's cut. The original movie might be available on their site or others.

Alternatively, if the user is in Japan, they can look up the official Toei website or services like Netflix Japan (though that's closed). Amazon Prime might have different releases in different countries.

Another angle: Maybe the term "director's cut" is being misused here. Sometimes, people refer to any extended version as a director's cut, even if it's not officially labeled as such. In that case, looking for the original release and any special editions might help.

So, in summary, to answer the user:

But remember, if there's no official director's cut, it's possible the user might be confused or referring to a different version. In that case, providing information about the standard release and where to find it would be helpful.

I should also mention that direct links shouldn't be provided due to potential legal issues and link rot. Instead, directing them to official sources or platforms where they can legally access the content is the way to go.

To locate the Kamen Rider Faiz: Paradise Lost movie and its potential director's cut, here’s a structured guide to help you find it legally and responsibly:

The city smelled like wet asphalt and neon. Hanged signs flickered over alleys that hid more secrets than daylight could reveal. In the heart of academia-turned-industrial sprawl, an abandoned satellite factory hummed with a something like memory. Masato, a young engineer with a chipped watch and a past he avoided, stood at the factory gate holding a single scrap of paper: "Director 39 — Screening. Midnight."

Masato had heard whispers — a rumored "director's cut" of a lost Faiz film sequence that never aired, said to contain a truth no official release would acknowledge. He came because the name on the ticket matched the initials carved into his father's toolbox, and because curiosity was a better companion than grief.

Inside the cavernous hall, a handful of people gathered—former crew, die-hard fans, and those who trafficked in lost things. At the front, a woman in a leather coat keyed the old projector. Her name was Reina, formerly a continuity editor on the original show; her eyes still carried set-light. She introduced the reel with a single sentence: "This is what the director wanted you to see."

The screen lit. Grainy footage unfolded: Kamen Rider Faiz, not in his usual chrome stride, but moving slower, hands trembling. The camera lingered on Faiz's face—no helmet, only soot and a human profile—Akira, a man in his thirties with a faint scar across his brow. The scene wasn't a battle but a choice.

Voiceover (soft, intimate): "Power doesn't erase wrongs. It magnifies consequences."

In this version, the Orphnoch conflict had a hand not just in bodies but in the infrastructure of the city—water treatment valves, traffic control arrays, the electronic pulse of everyday life. Faiz's fights were no longer isolated skirmishes; every strike meant flickers of streetlights, a hospital alarm going off, a child's lullaby cut midline. The director's cut mapped cause and effect with blunt honesty. Ryuta Tasaki has stated in interviews that the

A cutaway showed a younger officer, Kento, monitoring emergency feeds. He made a call. "They'll never forgive us for the blackout," he said, but his voice was steadier than his hands. The montage showed how the heroes' interventions—necessary to stop the Orphnoch—rippled into civilian lives. A mother missed an important dialysis cycle when power hiccuped. An elevator trapped a man who'd been keeping his house together for decades. The film did not shy away from showing the moral weight of being a savior.

Then the narrative narrowed to a single night: Faiz confronted an Orphnoch that had infiltrated the municipal grid. The villain was not monstrous by design but by error: a failed experiment meant to stabilize emergency response systems had merged human fear with the city’s nervous system. Faiz fought with calculated restraint—every blow measured to avoid collateral harm. He faltered; the Orphnoch's power fed on hesitation.

A moment arrived when the director allowed silence to sit like ash on the frame. In the dim hum of the projector, Akira removed his helmet, handing the device to the camera with the gentleness of someone passing a torch no one asked for. "We made this," he said. "And we never asked if the city wanted it."

Reina paused the reel. Her voice trembled when she resumed. The cut revealed behind-the-scenes footage: crew arguing late at night about whether to show this version. The studio demanded reshoots. "Too bleak," a producer had said. The director—a man credited only as "39"—had insisted this was the truth of the story. He believed heroes must be shown as accountable as they are powerful.

In the revised scenes, Faiz's victory is incomplete. He manages to sever the Orphnoch's connection to the grid, but the failure of the emergency systems has already cost lives. His triumph is a quiet one—assistance arriving, an exhausted team cleaning up, Akira sitting on a curb as dawn turns the sky the color of old coins. He writes a list of names, though he knows it won't bring anyone back.

The final sequence is a small, human scene: Akira visits a hospital ward. He speaks to a woman weakened but alive, who recognizes him with a trembling smile. "You came back," she says. No fanfare, only a simple exchange that reframes the idea of being a hero—not as spectacle but as presence.

When the reel ended, no one in the room applauded. A few breathed; the rest looked at each other with the unsettlement of someone who had glimpsed an uncomfortable truth. Reina's hand closed the projector with deliberate care.

Masato stepped forward. "Why never released?" he asked.

Reina folded her coat around herself. "The network wanted icons, not responsibility. Director 39 thought the cost of heroism mattered. He lost the studio that night."

Someone else in the room—an older man who introduced himself as an archivist—passed around a photocopy of a production memo. It read: "Proposed alternative: make battles 'safer' visually; increase spectacle. Remove scenes showing civilian impact." The ink hardened the truth: the director's cut had been erased to preserve comfort.

For Masato, the revelation landed like a hand on his shoulder. His father had been a civil engineer who worked nights on the same grid now shown failing on screen. The initials on the toolbox matched a scribble on the memo: "39." A link formed from reel to reality. He had come for a myth and found a confession.

After the screening, people dispersed into the wet city. A few shared theories; others walked alone, thinking about the price of every explosion they'd cheered on television. Masato found Akira leaning against a lamppost, hands in pockets, watching the slow traffic of midnight. Akira's helmet—scuffed and quiet—hung from his arm like a forgotten promise.

"You shouldn't have seen that," Akira said.

"You shouldn't have let it be hidden," Masato replied.

They talked until the rain washed the neon into halos. Akira explained why the director's cut had mattered: to force conversation, to bind heroics to accountability. He confessed the cost of restraint—how sometimes not striking had meant lives lost, and how the weight of that knowledge shaped him more than any villain's blow. He spoke not as a man seeking absolution but as one accepting consequences.

Masato thought of his father, of the nights spent rewiring junction boxes, of promises made to keep neighborhoods bright. He realized heroes and engineers shared a duty: to anticipate, to repair, to reckon with failures. The film had turned a television myth into a mirror—one that asked viewers to look, unflinching, at the consequences of "safety" engineered by flawed hands.

In the days that followed, fragments of the reel leaked—grainy clips traded across message boards, whispers in late-night forums. Some denounced it as a smear on a beloved franchise; others hailed it as necessary truth. The studio issued a terse statement about "creative differences" and moved on. Director 39 became a footnote in industry gossip, his name a cipher for a choice studios make every day: comfort or candor.

Masato kept a frame from the projection—Akira’s unmasked face in the pause between fight and apology—tucked into his wallet. He took a job rebuilding old substations, a small act of fidelity. When he tightened bolts under the current-less hum of an evening shift, he thought of the film and of the people who lived through the flickers. He thought of responsibility as a daily craft rather than a headline.

Years later, when a junior editor asked Masato why he worked nights, he handed over the frame and said, "Because light matters. Not just for spectacle—so someone can read by it." The editor looked at the Photo, then at the man who'd fixed the city’s bones. Outside, neon blinked like the last scenes of a director's cut—unfinished and earnest.

The story of "Paradise Lost: Director 39's Cut" spread not as a blockbusters' lore but as a proposition: what if our heroes were accountable, not merely heroic? What if creators let the consequences of power be seen? The film, though suppressed, altered a small orbit—craftspeople who repaired, audiences who questioned, and a culture that remembered a quiet, human ending where a hero sat on a curb and wrote a list of names.

End.

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In a world where humanity is on the brink of extinction, the Orphnochs—evolved humans who have died and returned as monsters—have claimed the Earth as their own. Only small pockets of human resistance remain, hiding in the shadows of a decaying Tokyo.

Mari Sonoda, the heart of the resistance, clings to a fading hope: the legend of Kamen Rider Faiz. Long ago, Takumi Inui, the man who wore the gear, vanished in a massive battle against the Smart Brain Corporation. Without their savior, the humans are being hunted down by the Leo, the Rose Orphnoch, and an army of thousands.

The "Director’s Cut" of this tragedy reveals a deeper, more brutal reality. It expands on the fractured bond between Takumi and his rival, Kiba. In this version, we see the agonizing choice Kiba makes as he loses his faith in humanity, eventually donning the golden Orga gear to become the ultimate executioner for Smart Brain.

Takumi eventually resurfaces, his memory hazy but his instinct to protect still sharp. When he reclaims the Faiz gear, the battlefield transforms. The Director's Cut features extended, visceral combat sequences, showing the true weight of the Blaster Form as Takumi tears through the Orphnoch ranks.

The story reaches its peak in a massive coliseum. Before a crowd of thousands of monsters, Faiz and Orga clash in a duel of ideologies. It isn't just a fight between riders; it’s a struggle to decide if a world without "humanity" is worth living in. As the dust settles, Takumi proves that even in a "Paradise Lost," the dream of a peaceful tomorrow is worth a thousand deaths.

Finding the Director's Cut of Kamen Rider 555: Paradise Lost

can be tricky because it is primarily available through Japanese physical media and select regional streaming services. This version adds roughly 10 minutes of additional footage, including more character interactions and extended action scenes. Where to Watch or Buy

You can find the Director's Cut through the following official and secondary channels:

Official Physical Media: The most reliable way to own the Director's Cut is through the Kamen Rider 555 The Movie Complete Blu-ray Go to product viewer dialog for this item.

, which includes both the theatrical and Director's Cut versions. You can purchase this on Amazon.com or specialized retailers like CDJapan.

Second-Hand Market: Collectors often find the original Director's Cut DVD (released in 2004) on sites like Solaris Japan or via eBay listings. Streaming Options: Japan: It is available on Apple TV (Japan) and Hulu Japan.

International: Official English-subtitled streaming is limited, though some fans use Plex to check for regional availability. Why the Director's Cut?

仮面ライダー555（ファイズ） THE MOVIE コンプリートBlu-ray [Blu-ray]