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Kerala’s culture is deeply political, with high literacy, active unionism, and historical social reform movements (e.g., Sree Narayana Guru, Ayyankali). Malayalam cinema has tackled these head-on:

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These controversies reveal the ongoing negotiation between progressive urban elites and conservative, often religious, rural publics. Kerala’s culture is deeply political, with high literacy,

Kerala is a politically saturated state. It is impossible to walk through a village without seeing a hammer-and-sickle stencil or a portrait of Ambedkar. Malayalam cinema has always reflected this political obsession, but the tone has shifted over time. the mainstream often leaned Left

In the 1970s and 80s, the "middle-stream" cinema (neither fully art nor fully commercial) produced films like Kodiyettam (The Ascent) which critiqued the inertia of the feudal psyche. However, the mainstream often leaned Left, criticizing the Congress and the communal forces.

In the last decade, a new genre has emerged: the political thriller. Films like Kammattipaadam (2016) documented the rise of the land mafia and the destruction of Dalit livelihoods in the fringes of Kochi. It showed how "development" (high-rises, malls) literally bulldozed the homes of the indigenous and working class. The cultural takeaway was brutal: the Communist government had failed its landless voters.

Conversely, films like Jallikattu (2019)—a visceral, chaotic film about a buffalo that escapes slaughter—became a metaphor for the uncontrollable violence lurking beneath Kerala’s civilized surface. It starred a predominantly Christian and Muslim cast and tackled no explicit political party, yet it captured the anxiety of a state losing its agrarian soul to consumerism.