If you are an artist preparing to illustrate Mola mola, treat the Errata List as your pre-flight checklist.
Certain cards have generated specific rulings regarding how they interact with the hazard deck or player limits.
The MOLA Errata List is a resource maintained by the Major Orchestra Librarians' Association (MOLA) to document and correct errors in published orchestral scores and parts. These lists are vital for orchestral librarians and conductors to ensure that the music being performed is accurate and matches the composer's original intent. Common corrections found in these lists include:
Pitch and Rhythm: Fixing wrong notes or incorrect durations in specific instrument parts.
Dynamics and Articulation: Adding missing markings (like p, f, or accents) or removing misplaced ones. Mola Errata List
Rehearsal Markers: Correcting rehearsal numbers or letters to ensure the conductor and orchestra are synchronized.
Formatting: Addressing discrepancies between the full conductor's score and the individual parts given to players.
For example, the MOLA errata for Darius Milhaud's La Création du monde includes corrections like adding missing rests in the percussion ("Batterie") section and inserting rehearsal numbers where they were omitted by the publisher, Max Eschig.
If you are looking for a specific piece of music, I can help you find the relevant corrections if you provide the composer and title. If you are an artist preparing to illustrate
The MOLA Errata List is a critical catalog of corrections for orchestral scores and parts maintained by the Major Orchestra Librarians’ Association (MOLA). This report outlines the structure and purpose of these lists, which save ensembles significant rehearsal time by identifying errors in printed music before they reach the stage. Overview of MOLA Errata Lists
Purpose: To document discrepancies between the full score and individual instrumental parts, as well as general errors in notation, dynamics, and articulations.
Database Scope: The catalog contains approximately 900 titles, ranging from major symphonic works to minor repertoire.
Access: While some sample lists are available publicly through platforms like IMSLP, the full database is typically a member-only resource used by professional performance librarians. Standard Report Structure These are not errors in the text, but
A typical MOLA Errata report follows a structured format to ensure clarity for musicians and librarians: Description Work Info
Composer, Title, Original Publisher, and Reprint Publisher (if applicable). Instrument
The specific part requiring the correction (e.g., "Horn II", "Violin I"). Location
Defined by Movement, Rehearsal Letter/Number, Bar (measure), and Beat. Error
Description of the original mistake (e.g., "missing accent", "wrong pitch", "missing '63'"). Correction The intended musical marking or instruction (e.g., "Add ", "Corrected pitch is Contribution and Governance
These are not errors in the text, but rather rules that are frequently misinterpreted or missed entirely during initial playthroughs.