Mengapa film ini dinamai Newness (Kebaruan)? Dalam konteks film, "newness" adalah obat dan racun. Di awal, kebaruan (new relationship energy) adalah narkotika yang membuat Martin dan Gabi kecanduan satu sama lain. Namun, ketika kebaruan itu memudar, mereka panik. Mereka salah mengira bahwa rasa nyaman adalah cinta yang mati, padahal sebenarnya cinta sedang meresap ke dalam lapisan yang lebih dalam.
Film ini mengajarkan sebuah pelajaran keras: Kita tidak bisa mengejar perasaan "seperti pertama kali" selamanya. Nonton Newness -2017- akan membuat Anda bertanya pada diri sendiri: Apakah saya mampu mencintai seseorang saat rasa penasarannya sudah habis?
Newness (2017) adalah film yang menyakitkan tapi perlu ditonton. Ia mengingatkan kita bahwa cinta bukanlah tentang menemukan orang yang sempurna tanpa cacat, melainkan tentang menerima ketidaksempurnaan dan membangun kepercayaan di tengah dunia yang menawarkan jalan pintas tanpa henti.
Film ini cocok untukmu yang sedang jomblo, yang sedang menjalin hubungan, atau yang baru saja patah hati. Siapkan camilan dan siap-siap untuk melakukan self-reflection usai menonton.
Rating: 7/10 Genre: Drama, Romance Durasi: 112 Menit Pemeran: Nicholas Hoult, Laia Costa, Danny Huston
Sudahkah kamu menonton film ini? Bagaimana pendapatmu tentang hubungan terbuka di era digital? Tulis di kolom komentar!
Newness (2017) - A Sci-Fi Romance Film
Overview
Newness is a 2017 American science fiction romance film written and directed by Jeremy Podeswa. The film premiered at the Sundance Film Festival on January 22, 2017, and was later released on Netflix on August 11, 2017.
Plot
The film takes place in a not-too-distant future where a new form of birth control has been introduced, allowing people to program their relationships and reproductive cycles with precision. The story revolves around two couples: Lauren (played by Alison Brie) and Scott (played by Dave Franco), and Maya (played by Kate Mara) and Mark (played by John C. Reilly).
Lauren and Scott's relationship is put to the test when they decide to undergo a procedure that allows them to experience a simulated reality of marriage and parenthood without the actual commitment. Meanwhile, Maya and Mark's relationship is on the rocks due to their differing desires for a more traditional family setup.
As the two couples navigate their relationships, they begin to question the implications of their choices and the true meaning of love, commitment, and family.
Cast
Reception
Newness received generally positive reviews from critics, with many praising the film's thought-provoking themes and performances. On Rotten Tomatoes, the film holds a 64% approval rating based on 44 reviews, with an average rating of 5.9/10. On Metacritic, the film has a score of 58 out of 100, based on 15 reviews, indicating "mixed or average" reviews.
Themes
The film explores themes of love, relationships, family, and the implications of technology on human intimacy. It raises questions about the nature of commitment, the role of intimacy in relationships, and the consequences of relying on technology to navigate the complexities of human emotions.
Conclusion
Newness is a thought-provoking sci-fi romance film that explores the complexities of relationships and the implications of technology on human intimacy. With strong performances from its cast and a timely theme, the film is a must-watch for those interested in exploring the intersection of technology and human emotions.
Released in 2017 and directed by Drake Doremus, is a raw, stylish dive into modern intimacy and the "swipe-right" culture of dating apps. Starring Nicholas Hoult and Laia Costa, the film explores what happens when two people who are addicted to the thrill of "newness" try to build something lasting. The Premise
Martin and Gabi meet on a dating app and quickly fall into an intense, whirlwind romance. To fight the inevitable boredom that sets in after the honeymoon phase, they decide to experiment with an open relationship. The film asks a difficult question: In an era of infinite options, is it possible to choose just one person? The Highlights
Chemistry: Hoult and Costa give incredibly natural, vulnerable performances. Their on-screen connection feels authentic, which makes the emotional stakes of their relationship experiment feel grounded. nonton newness -2017-
Visual Style: Doremus uses a handheld, intimate cinematography style that makes you feel like an observer in their private moments. It’s moody and beautiful to look at.
Relatability: Critics and audiences have noted that the film is a raw look at sex lives in the digital age, capturing the anxiety and restlessness that comes with modern dating. Points of Discussion
Pacing: Some viewers find the movie to be emotionally draining due to its heavy focus on relationship friction and existential dread.
Content: The film features several sex scenes and realistic portrayals of nudity, earning its R-rating by not shying away from the physical side of the characters' journey. Final Verdict
If you enjoyed films like Like Crazy or Blue Valentine, you’ll likely appreciate the emotional honesty of Newness. It’s a thoughtful, if occasionally exhausting, look at how technology has changed the way we love.
Newness (2017) is a contemporary romantic drama that explores the complexities of modern dating, intimacy, and the impact of social media on relationships. Directed by Drake Doremus (Like Crazy), the film stars Nicholas Hoult and Laia Costa as two Los Angeles millennials navigating the "swipe culture" of digital apps. Plot Overview
The story follows Martin (Hoult) and Gabi (Costa), who meet via a dating app and quickly fall into an intense, whirlwind relationship. After the initial "newness" of their romance begins to fade, they find themselves tempted by the very apps that brought them together. To save their connection, they decide to enter an open relationship—an experiment that tests their boundaries, emotional maturity, and the true meaning of commitment in an era of endless options. Core Themes
The "Paradox of Choice": The film highlights how the abundance of potential partners on dating apps can lead to a cycle of dissatisfaction and "the grass is greener" syndrome.
Digital Intimacy: It examines how technology facilitates instant connection but can also create a barrier to deep, sustained emotional vulnerability.
Modern Monogamy: By exploring an open relationship, the movie asks whether traditional structures of love are still viable or if new "rules" are necessary for the modern age. Critical Reception
Performances: Nicholas Hoult and Laia Costa received praise for their raw, naturalistic chemistry, which grounds the film's more provocative elements in relatable emotion.
Visual Style: True to Doremus's style, the film features intimate, handheld cinematography and a soft, atmospheric palette that mirrors the characters' internal states.
Pacing: While some critics found the exploration of millennial angst slightly indulgent, most agreed it provides a thought-provoking and honest look at the current romantic landscape. Where to Watch
The term "nonton" (Indonesian for "watch") suggests you may be looking for viewing options. Newness premiered at the Sundance Film Festival and was later released as a Netflix Original. It is primarily available for streaming on Netflix in most regions, though availability can vary by country.
Searching for where to "nonton" (watch) Newness (2017) leads to a provocative romantic drama that explores the complexities of modern intimacy in the age of digital dating. Directed by Drake Doremus, known for his visceral approach to romance in Like Crazy, the film captures the rapid-fire cycle of "swiping" and the struggle to maintain a connection once the initial novelty fades. Movie Overview
Release Date: Premiered at the Sundance Film Festival on January 25, 2017. Genre: Romantic Drama. Director: Drake Doremus.
Cast: Stars Nicholas Hoult as Martin and Laia Costa as Gabi, with supporting performances by Danny Huston, Courtney Eaton, and Matthew Gray Gubler. The Storyline: Beyond the Swipe
Set in contemporary Los Angeles, the film follows Martin, a divorced pharmacist, and Gabi, a physical therapy assistant. Both are heavy users of a dating app called "WINX," navigating a culture focused on quick hookups rather than deep connections. Wikipediahttps://en.wikipedia.org
The film’s opening act is a masterclass in visualizing modern alienation. Doremus treats the dating app (named "Newness") not as a tool, but as a glowing slot machine. The cinematography is tight, claustrophobic, often focusing on the blue light of the screen illuminating blank faces in dark rooms.
We watch Martin and Gabi navigate a conveyor belt of first dates. These sequences are cut with a rhythmic, almost hypnotic monotony—a montage of small talk, awkward pauses, and perfunctory sex. Doremus highlights a specific modern phenomenon: commoditized intimacy. The characters approach dates with the numb detachment of a consumer browsing a clearance rack. The tragedy here isn't that they can't find connection; it's that the method of finding it has stripped the mystery away. Everyone is knowable immediately, and therefore, everyone is boring.
Berikut adalah tiga alasan kuat mengapa Anda harus menyempatkan waktu untuk nonton Newness 2017:
Nicholas Hoult dan Laia Costa memiliki chemistry yang menakjubkan di layar. Cara mereka memerankan kecanggungan, gairah, dan rasa sakit terasa sangat natural. Drake Doremus dikenal dengan gaya sutradaranya yang improvisational, memberikan ruang bagi aktor untuk berdialog secara organik. Hasilnya, setiap adegan terasa seperti kita menyaksikan cuplikan kehidupan nyata, bukan skrip yang dihafalkan. Mengapa film ini dinamai Newness (Kebaruan)
Newness (2017) bukanlah film tontonan santai di akhir pekan. Film ini berat, kotor secara emosional, dan akan meninggalkan rasa perih di dada setelah kredit berakhir. Namun, itulah kekuatannya.
Bagi Anda yang terbiasa dengan hidup di dunia swipe left/right, nonton Newness seperti bercermin. Apakah kita masih bisa mempertahankan api cinta di dunia yang terus menerus menawarkan opsi "berikutnya"? Apakah enough (cukup) masih relevan di zaman di mana new (baru) hanyalah sejauh jangkauan jari?
Jika Anda mencari jawaban atas pertanyaan-pertanyaan tersebut, segera cari platform untuk nonton Newness -2017-. Bawa cemilan, matikan lampu, dan persiapkan hati Anda untuk dihancurkan secara halus.
Rating pribadi: 8.2/10 untuk keberanian, akting, dan naskah yang menyentil realita generasi digital.
Apakah Anda sudah pernah nonton Newness? Atau Anda sedang mencari film dengan tema serupa seperti ‘365 Days’ atau ‘The Voyeurs’? Tulis pendapat Anda di kolom komentar!
If you are looking for information about "nonton" (watching) the
, here is a breakdown of the movie's details, themes, and where you can find it. Quick Overview is a romantic drama directed by Drake Doremus (known for Like Crazy ). It premiered at the Sundance Film Festival
in 2017 and offers a raw, modern look at relationships in the age of dating apps. Screen Daily Lead Cast: Nicholas Hoult and Laia Costa.
Two millennials in Los Angeles meet on a dating app and quickly start a committed relationship. To keep their connection "fresh" and avoid boredom, they decide to experiment with an open relationship , which leads to unexpected emotional complications. Where to Watch ( As of April 2026, availability varies by region: Google Watch Action Data
This response uses data provided by Google's Knowledge Graph Watch Newness | Netflix Newness * 2017. * TV-MA * Drama. Newness (2017): A Deep Dive Into Modern Relationships
Berikut adalah draf artikel blog yang menarik untuk film Newness (2017). Saya menulisnya dengan gaya review yang relevan, mendalam, dan ramah SEO.
Rain drummed a slow rhythm on the corrugated roof of the small cinema, a place that smelled of buttered popcorn and old velvet. The marquee outside read NONTON NEWNESS — 2017 in hand-painted letters, the word “newness” wobbling like a promise. Inside, only three rows of mismatched seats filled the dim room: an elderly man with a wool cap, two high-school girls sharing a backpack, and Arif, who’d come because the poster in the market had suggested the film might answer a question he hadn’t yet learned how to ask.
He’d arrived an hour early, the city’s evening mist still clinging to his jacket. The ticket seller — a woman named Mira who wore a silver earring shaped like a film reel — tore his stub with a practiced click and said, “It’s not a film festival. It’s one night of short pieces. Some are new, some are experiments. People bring things they think are true.” She winked as if the wink were part of the price.
The room lights dimmed to a soft charcoal. A projector whirred to life, and the first piece slid into view: a single-frame study of a hand setting a cup on a balcony ledge, the city blurred beneath. No dialogue. A title: "First Things." The camera lingered on steam rising, the cup’s rim, the small tremor in the fingers. It felt like watching someone assemble courage.
Each piece after that was a needle pulling a thread through Arif’s ribs. A seven-minute montage of street vendors applying lacquer to carved toys, narrated by a child who had never been allowed to choose anything; a grainy home movie of a family planting a mango tree in 1999, overlaid with a voice reading a letter the planter wrote in 2017 to the sapling’s future owner. A stop-motion about lost keys that ended with a door opening into a lake. Short bursts, honest and jagged, that refused to explain themselves.
Between reels, the projector hummed in the silence, and Arif watched the light slice the dust in the air. The elderly man mouthed lines as if reciting prayers; the girls whispered critiques with the intimacy of new friends. Mira moved through the aisles with a tray of warm tea, offering cups without asking. Outside, the rain had softened to a drizzle, and neon letters across the street reflected like memory.
The third piece changed everything: a thirty-minute film titled "Newness" — handwritten letters across the screen confessed it had been twelve years in the making. The director, a soft-spoken woman named Laila who sat in the third row after the credits, had filmed fragments of a neighborhood over many seasons. Her method was simple: return to the same corner, the same shopfront, the same bench, and ask the same question: “What would you give up to begin again?”
An old barber shaved in the same chair he had as a boy and answered, “My opinion.” A schoolteacher, eyes tired from chalk dust, said, “My calendar.” A young woman packing her suitcase muttered, “My map.” Each answer was filmed twice: once up close, with trembling lips, and again from across the street, where people passed indifferent. Laila’s frames slid together like a refrain; the camera’s patience became an insistence.
Arif felt his own answers gather like loose coins in his pocket. He had moved through years carrying small certainties — the route he took to work, the books he said he liked, the job he told himself would be enough. The film’s music was a single guitar string plucked slowly, asking and asking until the question made a luminous shape: what if beginnings are not moments but the things you decide to release?
After the lights came up, the small audience stayed seated, unready to let the night end. Laila stood and spoke softly about time, about keeping records not to remember but to choose. She said films could be small negotiations with the future; the camera merely witnesses.
Outside, the rain had stopped. A wet breeze slapped the street and carried the scent of jasmine. The elderly man with the wool cap folded his hands and told Arif, “When I lost my wife three years ago, I stopped giving my time. I thought time would be the last thing I could spare. But time is exactly what made her presence keep living. I’ve been learning to give time back.” He smiled like someone who had found a reset button in a pocket.
The two girls argued amiably about which piece was truest and which director had cheated by being sentimental. Mira leaned against the ticket booth and listened, eyes amused. Laila accepted small thank-yous with a nod, then slipped into the night with a borrowed umbrella. Rating: 7/10 Genre: Drama, Romance Durasi: 112 Menit
Arif walked home slowly, the city lights smeared into watercolor. He reached his small apartment and found an old sketchbook he hadn’t opened in years. On the kitchen table, the lightbulb hummed: a single thing ready to be given up or reclaimed. He thought of the barber, the teacher, the woman with the suitcase. He thought of the mango tree and the stop-motion keys. He turned the sketchbook over in his hands as if the binding might unspool a different shape of days.
At dawn, Arif opened the book and began to draw. Each line was awkward at first, then less so, like learning to breathe through a new room. He drew the balcony cup, the barber’s chair, the bench in Laila’s corner. When he finished a small page of images, he taped it to his doorframe. The act felt ceremonial, not because of the paper but because he had chosen to begin.
Weeks passed. The cinema’s marquee faded into other nights; other films found their way to stranger rooms. But the habit stuck: each week, Arif gave up one small certainty — a route, an expectation, a neat plan — and replaced it with a tiny experiment. He took a different street to work and found a bakery that made cardamom rolls. He stopped saying “I’m fine” when asked and let a friend answer instead. He enrolled in a class where no one pretended to be competent. Little by little, beginnings accumulated.
Months later, Arif returned to Nonton Newness — 2017 on a rainy Thursday, this time with a sketchbook full enough to trade. He sat in the back row and watched as someone else’s film asked new questions. After the screening, he left a single folded page on Laila’s empty seat: a drawing of the mango tree, but now with new roots, and a note: “I gave up my map.”
The cinema’s light swallowed the paper, and somewhere in the dark, a projector clicked and kept turning. Newness, as the screenings showed, was less a one-time event than an ongoing agreement to choose again.
Years later—if years could be a single spool—people still tucked their small experiments into Nonton’s pockets: a tape, a postcard, a film of a child blowing soap bubbles into a winter street. The marquee would always be hand-painted, the letters wobbling like promises, because beginnings require a hand steady enough to risk crookedness and soft enough to say yes to the next showing.
End.
, which was a significant independent release in 2017. "Nonton" is the Indonesian word for "watching," often used in the context of streaming or cinematic reviews within Indonesian digital communities. Film Overview: Newness (2017) is a romantic drama directed by Drake Doremus and written by Ben York Jones. It premiered at the Sundance Film Festival on January 25, 2017, before being released digitally. The story follows Martin ( Nicholas Hoult ) and Gabi ( Laia Costa
), two millennials in Los Angeles who meet through a hookup app. They quickly begin a relationship but struggle with the "newness" wearing off, leading them to explore an open relationship to navigate their emotional and physical boredom.
The film explores modern dating culture, the impact of social media and apps on intimacy, and the complexities of monogamy versus boredom in the digital age. Reception & "Nonton" Context
In 2017, the film gained traction among Indonesian viewers (hence the "nonton" searches) due to its contemporary subject matter and its availability on global streaming platforms like Critical Response: Rotten Tomatoes
, the film holds a 58% approval rating. Critics praised the chemistry between Hoult and Costa but found the exploration of its central themes somewhat shallow. Audience Sentiment:
Viewers often cited the film's realistic—if uncomfortable—depiction of how technology facilitates "disposable" relationships and the difficulty of maintaining long-term excitement. Detailed Technical Specifications Drake Doremus Nicholas Hoult, Laia Costa, Danny Huston, Courtney Eaton Release Date January 25, 2017 (Sundance); November 3, 2017 (USA) 117 minutes Drama / Romance similar movies about modern relationships or more information on the soundtrack
Memulai hubungan di era digital sering kali terasa seperti permainan tanpa akhir, di mana pilihan selalu tersedia hanya dengan sekali usap layar. Film Newness (2017) garapan sutradara Drake Doremus menangkap keresahan ini dengan sangat jujur. Dibintangi oleh Nicholas Hoult dan Laia Costa, film ini bukan sekadar drama romantis biasa, melainkan sebuah studi mendalam tentang bagaimana aplikasi kencan dan budaya hookup mengubah cara kita mencintai.
Bagi Anda yang mencari informasi tentang film ini, berikut adalah ulasan lengkap mengenai sinopsis, daftar pemain, hingga tempat menonton resminya. Sinopsis Film Newness (2017)
Berlatar di Los Angeles, cerita berpusat pada Martin (Nicholas Hoult), seorang apoteker yang baru bercerai, dan Gabi (Laia Costa), seorang asisten terapis fisik asal Spanyol. Keduanya bertemu melalui aplikasi kencan bernama WINX (versi fiksi dari Tinder) setelah sama-sama mengalami kencan satu malam yang hambar dengan orang lain.
Awalnya, hubungan mereka berjalan sangat intens dan penuh gairah. Namun, seiring berjalannya waktu, kebosanan mulai menyelinap. Karena terbiasa dengan "kebaruan" (newness) yang ditawarkan aplikasi kencan, mereka merasa terjebak dalam rutinitas. Untuk menyelamatkan hubungan, mereka mengambil keputusan berisiko: mencoba hubungan terbuka (open relationship) dengan syarat kejujuran total. Keputusan ini justru membawa mereka ke dalam pusaran emosi yang kompleks, kecemburuan, dan pertanyaan apakah cinta sejati masih bisa bertahan di tengah godaan tanpa batas. Daftar Pemain Utama
Film ini didukung oleh penampilan kuat dari para pemerannya yang memberikan kesan autentik pada setiap adegan: Nicholas Hoult sebagai Martin Hallock Laia Costa sebagai Gabi Silva Danny Huston sebagai Larry Bejerano Courtney Eaton sebagai Blake Beeson Matthew Gray Gubler sebagai Paul Pom Klementieff sebagai Bethany Tempat Menonton Resminya
Untuk pengalaman menonton yang aman dan berkualitas tinggi (HD) dengan pilihan subtitle Indonesia, Anda dapat mengakses layanan berikut: Google Watch Action Data
This response uses data provided by Google's Knowledge Graph Watch Newness | Netflix
Newness (2017) is a romantic drama directed by Drake Doremus, featuring Nicholas Hoult and Laia Costa as millennials navigating modern relationships and the complexities of "hookup culture" in Los Angeles. The film explores the challenges of emotional commitment in a digital age, often exploring the consequences of monogamy. The film is available to stream on platforms like Netflix and Plex.