Oregon Music Of Another Present Era 1972 Flac Page
Recorded at New York’s Generation Sound Studios on 16-track analog tape (Ampex MM-1000), the album’s dynamic range exceeds 65 dB, with significant low-level detail (bass arco passages, piano harmonics). The original vinyl mastering by Bob Ludwig (Sterling Sound) preserved transient response crucial for percussion.
For those adding this to a Plex server or an Audirvāna library, ensure your metadata matches the following:
1. "Aurora") The opener introduces the band’s signature "chamber jazz" sound. It is delicate, almost pastoral, featuring Towner on piano and McCandless on oboe. The interplay is conversational. It sets the stage for an album that prioritizes texture over virtuosity—though the virtuosity is undeniable. Oregon Music of Another Present Era 1972 FLAC
2. "Brujo") If Music of Another Present Era has a hit, it is "Brujo." It is a stunning showcase of cross-cultural pollination. Glen Moore switches to violin, Walcott plays tabla, and Towner plucks the 12-string with a ferocity that rivals any electric guitarist. The groove is deep and hypnotic. The FLAC mastering is essential here to separate the distinct layers of percussion from the string melody, preventing the middle frequencies from becoming muddy.
3. "The Silence of a Candle") A solo piano piece by Ralph Towner. This track highlights the recording’s warmth. The piano tone is full-bodied and resonant. It serves as a palate cleanser, demonstrating the group's connection to the classical tradition of Satie or Debussy. Recorded at New York’s Generation Sound Studios on
4. "Cast a Stone") This track leans heavily into Indian classical structures. The drone of the tambura and the weaving lines of the oboe create a meditative state. The recording captures the room tone beautifully, giving the listener a sense of being in the studio with the musicians.
When you download the 1972 FLAC rip (preferably from a pristine, NM- vinyl source or the rare Japanese Vanguard CD reissue), listen for these critical moments: It sets the stage for an album that
To understand the album, one must first understand the seismic shift in music during the late 1960s and early 70s. After the collapse of their work with vibraphonist Gary Burton, four virtuosos—Ralph Towner (classical and 12-string guitar, piano, trumpet), Paul McCandless (oboe, English horn, soprano sax, bass clarinet), Glen Moore (double bass, violin, piano), and Collin Walcott (sitar, tabla, percussion, mridangam)—set out to create a music that ignored geographic and temporal boundaries.
Recorded in December 1971 and released in 1972 on Vanguard Records, Music of Another Present Era was a statement of intent. The title itself is paradoxical: it is music of another present era, suggesting a future that has already arrived, or a past that never existed. It is folk music from a fictional continent, jazz without swing, classical without an orchestra, and world music before the term was coined.




