Promising Young Woman May 2026
The film’s sharpest critique is reserved for the "Allies"—specifically, the character of Ryan (Bo Burnham). In any other film, Ryan would be the romantic lead. He is charming, funny, awkward, and sensitive. He runs into Cassie at the pharmacy, reconnects with her, and seems to genuinely care about her well-being. He even asks permission before kissing her. He is the nice guy.
But Promising Young Woman has no patience for nice guys. As Cassie digs deeper into the past, she discovers that Ryan, the sweet comedian who quotes poetry, was present the night Nina was assaulted. He watched. He did nothing. He laughed it off. When Cassie confronts him, his mask slips in one of the film’s most devastating scenes. He doesn't hit her. He doesn't yell. He just makes excuses: "We were kids." "Everyone thought it was a joke." "Why are you doing this?"
Burnham’s performance is terrifying because it is so recognizable. Ryan represents the vast majority of men—not the rapists, but the enablers. The ones who benefit from the system, who stand by, and who allow trauma to be buried under the rug of "boys will be boys." Fennell argues that silence is not neutrality; it is complicity. Promising Young Woman
Cassie’s vendetta extends beyond the perpetrators to the enablers. The film critiques:
Spoiler Warning: The final fifteen minutes of Promising Young Woman are essential to discuss. The film’s sharpest critique is reserved for the
Unlike most revenge fantasies (looking at you, Kill Bill), Cassie does not win. In a gut-wrenching third act, she goes to Al Monroe’s bachelor party. She intends to replicate his crime—to scar him the way he scarred Nina—but she hesitates. She decides instead to brand the victim's name onto his skin. Before she can follow through, Al overpowers her. He suffocates her with a pillow. He burns her body.
Cassie dies. The predator wins.
Then the film cuts to black. For a terrifying moment, the audience believes the nihilists have taken over. But wait. There is a final scene. Cassie arranged a dead man's switch. A text message is set to go to the police if she doesn't check in. The police arrive. Al is arrested.
While Cassie is dead, her plan works. She sacrificed herself to prove that the system only responds to undeniable proof. She became the martyr she never wanted to be. He runs into Cassie at the pharmacy, reconnects
Critics were divided. Some argued that the ending betrays the film's feminist rage by killing its heroine. Others (including many survivors) argued that it is brutally realistic. In real life, women are not invincible assassins. In real life, fighting the system often costs you everything.
Fennell has stated that the ending is meant to be tragic but hopeful. "It’s a tragedy," she said. "But it is also a fantasy... If Cassie had killed him, he would have been the victim. But by making him a murderer, she exposed him for what he is."