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Suicideboys Discography

(I Want to Die in New Orleans, Stop Staring at the Shadows)

With their debut studio album, I Want to Die in New Orleans (2019), the duo attempted to transition from internet legends to legitimate mainstream artists.


The Evolution of u i c i d e b o y : A Discography Deep Dive

From a New Orleans "shed" to the top of the Billboard charts, cousins Ruby da Cherry

have built an underground empire on raw vulnerability and a relentless work ethic . Operating under their independent G*59 Records

label, the duo has released nearly 50 projects, transitioning from dark, lo-fi "horrorcore" to more experimental, melodic sounds. The Studio Albums

While their early fame was built on SoundCloud mixtapes, their official studio albums represent major career milestones.

Early Mixtapes (2014-2015)

Rise to Fame (2015-2017)

Mainstream Success (2017-2020)

Recent Releases (2020-Present)

Notable Singles

The Suicideboys have released numerous mixtapes, EPs, and singles throughout their career, and have collaborated with various artists. Their discography is a testament to their prolific output and dedication to their craft.

The Eclectic and Prolific Suicideboys Discography: A Comprehensive Guide Suicideboys Discography

The Suicideboys, an American rap duo from New Orleans, Louisiana, have been making waves in the underground hip-hop scene since their formation in 2014. Comprised of cousins Scrim (formerly $crim) and Ruby da Cherry, the duo has built a reputation for their unique blend of trap, cloud rap, and punk-infused sound, as well as their often dark and introspective lyrics. With a prolific output that rivals even the most established artists, the Suicideboys discography is a vast and eclectic one, spanning numerous mixtapes, EPs, albums, and collaborations. In this article, we'll take a deep dive into the Suicideboys' extensive catalog, highlighting their most notable releases and exploring the evolution of their sound.

Early Days (2014-2015)

The Suicideboys' early work was marked by a DIY ethos and a penchant for releasing music on SoundCloud and Bandcamp. Their debut mixtape, "Guillotine" (2014), was a raw and unapologetic introduction to their sound, featuring lo-fi beats and lyrics that explored themes of depression, anxiety, and substance abuse. The tape gained traction online, attracting the attention of fans and fellow artists alike.

Over the next few months, the duo released a string of EPs and mixtapes, including "Cyanide Washing" (2014), "The Suicideboys $uicide" (2015), and "Death $uicide" (2015). These early releases showcased the Suicideboys' nascent sound, which was characterized by its dark, often disturbing subject matter and a fusion of hip-hop and punk influences.

Rise to Prominence (2015-2017)

The Suicideboys' big break came in 2015 with the release of "$uicide $ection", a collaborative EP with fellow New Orleans rapper and producer, Trauma. The EP's success led to a record deal with Black $uicide Records, an imprint founded by the duo themselves.

The following year, the Suicideboys released "8 Ball Choppaz" (2016), a mixtape that featured a more refined production style and lyrics that explored themes of depression, relationships, and street life. The tape was a critical and commercial success, cementing the duo's reputation as one of the most exciting new acts in underground hip-hop.

The Gray/Orange Era (2017-2019)

In 2017, the Suicideboys released "The Gray Chapter", a double EP that marked a significant turning point in their career. The album's more experimental sound and introspective lyrics resonated with fans, and it remains one of the duo's most beloved releases.

The follow-up, "The Orange Chapter" (2017), saw the Suicideboys continuing to push the boundaries of their sound, incorporating more rock and punk elements into their music. The album was a critical and commercial success, with many praising the duo's innovative approach to hip-hop.

Recent Releases (2020-Present)

In recent years, the Suicideboys have continued to release music at an incredible pace, dropping a string of EPs, mixtapes, and albums that showcase their continued evolution as artists.

"I Want to Die in New Orleans" (2020) was a sprawling, 30-track mixtape that featured collaborations with artists like D-Block Europe and City Morgue. The tape was a fitting tribute to the duo's hometown and a testament to their ability to craft infectious, high-energy beats. ( I Want to Die in New Orleans

The Suicideboys have also released several EPs, including "Arizona" (2020) and "The Nail Files" (2020), which have further showcased their versatility and creativity.

Collaborations and Features

Throughout their career, the Suicideboys have collaborated with a wide range of artists, from underground rappers to established names. Some notable collaborations include:

Legacy and Impact

The Suicideboys' discography is a testament to their innovative approach to hip-hop and their refusal to be bound by traditional genre conventions. Their music has resonated with fans worldwide, inspiring a devoted following and critical acclaim.

The duo's influence can be heard in a new generation of artists, from rappers like D-Block Europe to producers like Trauma. As they continue to push the boundaries of hip-hop and explore new sounds, the Suicideboys remain one of the most exciting and innovative acts in underground music.

Conclusion

The Suicideboys' discography is a vast and eclectic one, spanning numerous releases and collaborations. From their early days as a DIY duo to their current status as underground hip-hop heavyweights, the Suicideboys have consistently pushed the boundaries of what is possible in hip-hop. Whether you're a longtime fan or just discovering their music, there's no denying the impact and influence of the Suicideboys' unique sound.

Discography

This article provides a comprehensive guide to the Suicideboys' discography, exploring their early days, rise to prominence, and recent releases. With their innovative approach to hip-hop and their refusal to be bound by traditional genre conventions, the Suicideboys have built a devoted following and critical acclaim. As they continue to push the boundaries of music, their discography remains a testament to their creative vision and artistic evolution.

A Comprehensive Review of the $uicideboy$ Discography

The discography of $uicideboy$ (Ruby da Cherry and Scrim) is one of the most fascinating, erratic, and influential bodies of work in modern hip-hop. Emerging from the New Orleans underground, the duo built an empire on a foundation of nihilism, addiction, and distorted production.

To review their discography is to accept a duality: they are simultaneously technical rap heavyweights and punk-rock performance artists. Their output can be divided into distinct eras, each marking a shift in their sonic evolution. The Evolution of u i c i d

Here is a breakdown of the $uicideboy$ discography.


Suicideboys (stylized $uicideboy$) are a New Orleans hip‑hop duo (Ruby da Cherry and $crim) known for dark, lo‑fi beats, nihilistic lyrics, and prolific releases. This guide summarizes their major releases, notable mixtapes/EPs, key singles, and listening recommendations to explore their evolution.

Legacy: No independent duo has done more to blur the lines between punk, metal, and hip-hop. Their discography is a 10-year spiral of self-destruction and redemption, all backed by the hardest 808s in the industry. Grey ‘til the grave.

Navigating the Abyss: A Guide to the uicideboyu i c i d e b o y Discography

Since emerging from the New Orleans underground in 2014, cousins Ruby da Cherry and $crim—the duo known as uicideboyu i c i d e b o y

—have built one of the most prolific and dedicated cult followings in modern hip-hop. With a massive discography that spans dozens of EPs, mixtapes, and chart-topping studio albums, their music serves as a raw "time capsule" of their battles with addiction and depression.

Whether you’re a long-time member of the Grey Day family or a newcomer looking for a roadmap, The Early Foundations: Mixtapes and EPs

The duo’s early career is defined by a relentless release schedule, often dropping short, abrasive projects that blended Memphis horrorcore influences with punk-rock energy.

If you are drowning in the 80+ project discography, start here:


The $uicideboy$ discography is a monument to survival. It begins with two junkies screaming into a $50 microphone about wanting to die, and it evolves into two sober businessmen sampling their own past trauma for profit. But it never feels fake. Unlike many rap artists who "get happy" once they sign a deal, Ruby and Scrim simply traded the grim reaper for a steady heartbeat.

To listen chronologically is to hear a flatline become a pulse. Grey 59 for life.


Stream the full $uicideboy$ discography on Spotify, Apple Music, or via the G59 Records official store.*


By this point, $uicideboy$ had founded their own festival (Grey Day). This album is a victory lap for the cult. It features the hardest beat switch on “Escape from Babylon” and the most cinematic storytelling on “The_EVIL_that_Men_DO.” It proves they don’t need to be sad to be good; they just need to be sinister.

Suicideboys$, an American rap duo from New Orleans, Louisiana, has been active in the music scene since 2014. The group consists of cousins Scrim (formerly $crim) and Ruby da Cherry, known for their unique blend of hip hop, cloud rap, and trap music. With a prolific output, they have released numerous projects, collaborations, and mixtapes. Here's a detailed look into their discography:

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