Ten Years After Official Discography 19672017 Fix May 2026

Album: Ssssh (Deram) – August 1969

The official 2017 set is 95% correct. But obsessives maintain a “Shadow Discography” for the remaining 5%:

| Issue | Status | Fan Solution | |-------|--------|----------------| | Cricklewood Green UK vs US mix | US has extra reverb on “50,000 Miles Beneath My Brain” | Create a hybrid playlist | | Watt (1970) original LP had a locked groove | No CD replicates the locked groove feel | Some fans press lathe-cut 7” singles of just the locked groove | | 1968 French EP with exclusive “I May Be Wrong, But I Won’t Be Wrong Always” (alt. take) | Never reissued | Sourced from a 1968 French vinyl rip, 24/96 transfer |

Current Holy Grail: The 1969 stereo mix of “I’m Going Home” (Woodstock) without the crowd overdubs. Exists only on a Canadian promo 7”. Not in the 2017 set.

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This period represents the band's commercial peak and original lineup.

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For fans of blues-rock and British invasion legends, Ten Years After holds a special place in music history. Known for their blistering live energy and the virtuosic guitar work of Alvin Lee, the band’s catalog is a complex maze of studio albums, live recordings, and post-breakup compilations.

Recently, a topic of discussion has emerged among collectors and archivists regarding the "Official Discography 1967-2017"—specifically regarding a necessary "fix" or correction that has confused many fans attempting to digitize or organize their collections.

If you have been trying to organize your TYA library and noticed errors in the metadata or timeline, you aren't alone. Here is the breakdown of the official discography, the 2017 milestone, and the "fix" you need to know about.

For decades, the Ten Years After discography has been a mess of misleading reissues, fake live albums, and a mysterious 43-year gap that never existed. With the 2017 fix—culminating in A Sting in the Tale—we now have a clean, official timeline from the psychedelic blast of 1967 to the mature, powerful blues of 2017.

Whether you are a vinyl collector correcting your shelves or a digital archivist scrubbing your metadata, use this guide as your source of truth. The boogie is restored. ten years after official discography 19672017 fix

Now, go listen to "I’d Love to Change the World" – but make sure it’s the 2017 remaster.

Ten Years After: The Complete Official Discography Guide (1967–2017)

Ten Years After stands as one of the pillars of the British blues-rock explosion. Led by the incomparable speed and soul of guitarist Alvin Lee, the band bridged the gap between traditional jazz-inflected blues and the heavy, psychedelic rock that would define the late 60s and early 70s. This guide tracks their official studio and live output from their self-titled debut through to their 50th-anniversary release. The Deram Years (1967–1970)

The band’s early period on the Deram label captures them at their most experimental, blending swinging jazz rhythms with high-voltage blues.

Ten Years After (1967)The debut album introduced a band that was tighter than almost any of their contemporaries. With covers of Help Me and Spoonful, they signaled their deep respect for Chicago blues, while original tracks like I Want To Know showcased Alvin Lee’s budding songwriting.

Undead (1968)Recorded live at Klooks Kleek, this is often cited as one of the best live albums of the era. It contains the definitive early version of I’m Going Home, the song that would eventually make them superstars at Woodstock.

Stonedhenge (1969)A departure into more psychedelic and progressive territory. Tracks like Hear Me Calling showed a more restrained, atmospheric side of the band, while No Title explored jazzy, brooding jam structures.

Ssssh (1969)Released after their career-defining Woodstock performance, Ssssh saw the band pivoting toward a heavier, more riff-based sound. The track Good Morning Little Schoolgirl became a staple of their live sets for decades.

Cricklewood Green (1970)Many fans consider this the band’s masterpiece. It perfectly balances their blues roots with FM radio-friendly rock. Love Like a Man provided the band with a hit single, featuring a heavy, repetitive riff that was impossible to ignore. The Transition and Global Success (1970–1974)

As the 70s progressed, Ten Years After moved to Columbia (US) and Chrysalis (UK), leaning further into the "heavy" rock sound of the decade. Album: Ssssh (Deram) – August 1969 The official

Watt (1970)Coming quickly after Cricklewood Green, Watt continued the momentum. It concluded with a blistering live cover of Sweet Little Sixteen, reminding listeners that despite their studio polish, they remained a fierce live act.

A Space in Time (1971)Their biggest commercial success in the United States. The album moved away from long jams toward shorter, more melodic songs. The hit I’d Love to Change the World became a counter-culture anthem, featuring acoustic layers and a legendary multi-tracked guitar solo.

Rock & Roll Music to the World (1972)A return to straightforward, boogie-inflected rock. The title track and You Give Me Loving showed the band embracing their status as arena-rock giants.

Positive Vibrations (1974)The final studio album of the original lineup's initial run. While it featured solid tracks like Nowhere to Run, the creative tension within the band was reaching a breaking point, leading to their first major hiatus. Reunions and Post-Alvin Lee Era (1989–2017)

After years of solo projects, the original quartet returned for one final studio effort before eventually moving forward with new leadership.

About Time (1989)The long-awaited reunion of the original lineup (Lee, Churchill, Lyons, Lee). It was a polished, professional return to form that proved the chemistry was still intact, even if the musical landscape had changed.

Now (2004)Following Alvin Lee’s departure from the group, the remaining members recruited guitar prodigy Joe Gooch. Now proved the band could survive and thrive without their original frontman, offering a fresh take on their signature blues-rock sound.

Evolution (2008)Continuing with Joe Gooch, this album leaned into a more modern production style while keeping the "boogie" spirit alive.

A Sting in the Tale (2017)Released to coincide with the band's 50th anniversary, this album featured a new lineup including bassist Colin Hodgkinson and legendary guitarist Marcus Bonfanti. The album serves as a bridge between the band’s storied history and its enduring future, proving that the name Ten Years After still carries the weight of authentic British blues. AI responses may include mistakes. Learn more

The year 2017 is significant because it marked the band’s 50th anniversary. While Alvin Lee had passed away in 2013, the remaining members (Chick Churchill, Ric Lee, and Leo Lyons) celebrated the milestone. The "fix" in many metadata files accounts for the fact that the band continued to tour and release archival material under the Ten Years After name legally and officially during this year. If you use Plex, iTunes, or Roon, follow