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Vaishnavi Dhanraj has been featured in or associated with the Extra Fashion and Style Gallery as a style muse. Her curated looks — from chic saris to power blazers — align perfectly with the gallery’s mission: celebrating extra (in the best way) fashion that’s bold yet wearable.
Vaishnavi rarely wears a saree in a traditional drape anymore. Her gallery showcases the "dhoti saree," the "pre-stitched pant saree," and the "saree with a belt." She accessorizes these fusion looks with chunky sneakers or stiletto boots, bridging the gap between heritage and hypebeast culture. The demand for Vaishnavi Dhanraj Extra Fashion and
The first gallery space is titled “Unruly.” Here, Vaishnavi showcases her breakout collection that caught the eye of international critics three years ago. The centerpiece is a mannequin wearing a hand-embroidered saree made of upcycled computer cables and organza, draped not in the traditional nivi style but as a structural cape over a deconstructed pantsuit.
“Discipline is the enemy of style,” Vaishnavi whispers to a small crowd, her own outfit a testament to her philosophy—a crochet turtleneck layered under a vinyl blazer, paired with a lehenga that has been torn and re-stitched with safety pins and freshwater pearls. “The gallery is called ‘Extra’ because I believe fashion should interrupt your day. It should make you look twice, then question why you didn’t look thrice.” Vaishnavi Dhanraj has been featured in or associated
The walls here are lined with contact sheets from her editorial for Vogue India, where she styled a classical Bharatanatyam dancer in a corseted ghagra made of fiber-optic lights. The movement blurred in the prints creates a ghostly, beautiful chaos.
The final and most shocking space is an interactive digital gallery. Vaishnavi has always been a pioneer of AI-assisted styling, and here she presents “Flesh & Pixel.” Life-sized holograms rotate through looks that cannot physically exist: a dress woven from liquid mercury, a turban that expands into a living garden, shoes that drip molten gold in real-time.
“This is where fashion meets fantasy,” she says, standing beneath a projection of her own face, which is covered in 10,000 moving rhinestones that mimic breathing. “The gallery is not just about clothes. It’s about the feeling of putting on something that transforms your posture, your voice, your nerve.”
In the center of the digital room stands a plinth with her most famous personal look: the “Mirror Suit” she wore to the International Fashion Film Festival. Thousands of small, jagged mirror pieces catch the light from the holograms, throwing fractured rainbows across the attendees. The suit weighs 22 kilograms. Vaishnavi wore it for nine hours. “Pain is also a texture,” she jokes to a reporter.