Vengeance Dance Explosion Vol.2 May 2026

Two decades later, Vengeance Dance Explosion Vol. 2 has achieved cult immortality. Samples from the album have been repurposed by modern hyperpop and deconstructed club producers who weren't even born when it was released. In 2022, a vinyl bootleg appeared—pressed on translucent red vinyl, with no label markings—and sold out 300 copies in four hours via a private Instagram story.

The album’s influence can be heard in the harsh, broken techno of labels like Berceuse Heroique and the blown-out digital hardcore of newer acts like NNHMN. More importantly, it represents a philosophy: that perfection is overrated, and that sometimes the greatest art comes from a hard drive that should have been thrown away.

Today, original CD-R copies of Vengeance Dance Explosion Vol. 2—if you can find one—sell for upwards of €2,500. Digital files circulate in encrypted Telegram channels. And every few months, a new generation discovers that strange, corrupted laugh from "Amusement Park After Midnight" and asks the same question:

What the hell was H. Kalt thinking?

The answer, of course, is that they probably weren't thinking at all. They were just dancing in the wreckage.


Editor’s Note: Attempts to contact the Vengeance label for comment were unsuccessful. A representative for the estate of a former label manager simply replied: "We do not discuss Volume 2."

Vengeance Dance Explosion Vol. 2 is a professional sample pack released by Vengeance Sound on January 11, 2013. Created by genre veterans DJ THT and Artur Morkel, this collection is specifically designed for the HandsUp and modern dance music genres. It provides producers with high-energy "construction kits" that break down full tracks into individual elements like drums, basslines, and melodies. Core Specifications and Content vengeance dance explosion vol.2

The pack contains over 2.2 GB of audio content spread across more than 1,000 files. Key technical details include:

Tempo Range: Driving speeds of 140–150 BPM, suitable for energetic club music.

Composition: 20 complete "dance floor smashers" (construction kits). File Variety: Audio Loops: Drums, FX sounds, melodies, and basslines.

MIDI Files: Included for all melodic material, allowing producers to swap in their own synthesizer sounds.

Variants: Kits often include "Dry" (no effects), "Wet" (with effects), "Sidechain," and "No Sidechain" versions for mixing flexibility.

Vocal Content: Some kits feature complete vocal hooks and a bonus folder with one-shot voice samples. Genre Focus: The "HandsUp" Sound Two decades later, Vengeance Dance Explosion Vol

The pack is a cornerstone for the HandsUp subgenre, a style of European electronic dance music characterized by high tempos, melodic synth-pop sensibilities, and aggressive "four-on-the-floor" beats.

Production Quality: All tracks are pre-mixed to deliver what the developers describe as "scary pressure and force," meaning they are designed to be loud and impactful immediately after being dropped into a Digital Audio Workstation (DAW).

Root Key Specification: Every file includes a root key label, making it easy to layer sounds from different kits or integrate them with external melodies without tuning issues. Significance in Music Production

Released during a peak era for commercial EDM and HandsUp, this sequel expanded upon the original Dance Explosion by offering more complex arrangements and larger file sizes. Because the kits are royalty-free, they have been widely used by aspiring producers to jumpstart tracks or learn the structural "anatomy" of a hit dance song.

For further technical exploration, you can view the product details on the official Vengeance Sound website or see training-related details on Formation MAO et DJ. Vengeance Dance Explosion vol.2 Demo by Vengeance-Sound

Vengeance-Sound. ... Dance Explosion is back! Volume 2 features 20 new dance floor smashers as construction kits, featuring drums, SoundCloud·Vengeance-Sound Vengeance Samplepacks for 65.00 Euro + VAT Editor’s Note: Attempts to contact the Vengeance label


Reaction was immediate and violent. Club owners in Rotterdam posted signs reading: "NO VENGEANCE VOL. 2 – YOUR SYSTEM WILL NOT SURVIVE." Three verified incidents of blown subwoofers were attributed to the track "Sub-Bass Seizure" during the winter of 2004. The British Phonographic Industry received a complaint from a noise abatement society that described the album as "not music, but a calculated acoustic weapon."

Yet, underground demand exploded. Original CD-Rs began trading hands for hundreds of euros. High-quality digital rips appeared on Soulseek and obscure Russian forums, often mislabeled as "lost Aphex Twin demos" or "unreleased Atari Teenage Riot sessions." The album became a rite of passage: if you could mix VDE Vol. 2 without trainwrecking, you had earned your place in the hard dance pantheon.

In the shadowy ecosystem of electronic music production, there are tools, and then there are weapons. For nearly two decades, the Vengeance Sound series has occupied a unique space in the producer’s toolkit—the subject of heated forum debates, the secret sauce behind countless club anthems, and the gold standard for ready-to-use, radio-ready drum samples. But within that legendary library, one release achieved near-mythical status. That release is Vengeance Dance Explosion Vol.2.

Released in the late 2000s at the peak of the Electro House and Dutch House boom, Vengeance Dance Explosion Vol.2 didn't just arrive; it detonated. To understand why this specific collection of 1,200 WAV files still commands respect (and occasional ridicule) in 2025, we need to dissect its sound, its controversy, and its legacy.

Before Vol.2, there was Vol.1. The original Dance Explosion was a massive success, offering a palette of supersaw leads, gated kicks, and dry claps. But producers quickly devoured it. The hunger for louder, wider, and more aggressive sounds was insatiable.

Enter Vol.2. Manuel Schleis, the mastermind behind Vengeance, understood the assignment perfectly. The landscape of 2007-2009 was defined by the rise of Beatport giants like Joachim Garraud, Eric Prydz, and the explosion of the "Filthy French" sound. Tracks needed to punch through brick-wall limiters and destroy Funktion-One systems with minimal processing.

Vengeance Dance Explosion Vol.2 was the answer. It felt less like a sample pack and more like a smuggled hard drive from a top-ten producer’s studio.