Album - Warfaze All
If Poth Chola was the fire, Shotto (Truth) was the ice. This album is darker, more progressive, and lyrically philosophical.
Label: G-Series (Bangladesh) Major Lineup Change: Lead vocalist Hasan Abidur Reza leaves (forms band Renaissance). New vocalist: Sunny Hasan (formerly of Prometheus).
Musical Analysis:
A radical shift. Sunny Hasan’s voice was higher-pitched and more melodic than Abidur’s gruff baritone. The music softened dramatically. The title track "Ato Kichu Chaibo Na" is a gentle acoustic rock song with minimal distortion. The hit "Ekhon Onek Raat" (Now It’s Late Night) incorporates Bengali folk instruments like the ektara into a rock ballad.
Controversy:
Many old fans rejected Sunny Hasan. Concerts saw divided crowds—some chanting for Abidur. However, the album attracted a younger, female audience due to its romantic lyrics. Commercially, it succeeded (80,000 copies), but critically it is often called “the most divisive Warfaze album.”
From the revolutionary riffs of "Boshe Achi" (1991) to the socio-political commentary of "Somokal" (2019), Warfaze has spent over three decades proving that rock music in Bangladesh is not dead—it is resilient. Whether you are a long-time fan trying to remember a deep cut or a new listener wanting to explore the history of South Asian rock, exploring Warfaze all album is a rewarding journey through power, melody, and undeniable passion.
Don’t just listen to the hits. Experience the entire catalog.
Have we missed a rare EP or a specific live recording? Let us know in the comments below. Keep rocking.
Warfaze is a pioneering Bangladeshi hard rock and heavy metal band formed in 1984. Over their four-decade career, they have released seven studio albums and one compilation album, significantly shaping the progressive metal scene in Bangladesh. Studio Albums
Warfaze's discography evolved from raw heavy metal to complex progressive rock, featuring several iconic vocalists like Sunjoy, Mizan, and Balam.
Warfaze (1991): Their self-titled debut introduced a sound previously unheard of in Bangladesh. warfaze all album
Key Tracks: "Boshe Achhi," "Ekti Chhele," "Bichchhinno Abeg".
Obak Bhalobasha (1994): Known for its progressive rock elements, the title track became an anthem for the band. Key Tracks: "Obak Bhalobasha," "Ondho Jibon".
Jibondhara (1996): Continued their success with more experimental heavy metal sounds. Key Tracks: "Jibon Dhara," "Tumi".
Oshamajik (1998): Released via G-Series, this album featured hits that resonated with the youth. Key Tracks: "Oshamajik," "Bondhu".
Aalo (2000): Often noted for its shifting lineups and evolving musical direction. Key Tracks: "Baywarish," "Nei Tumi".
Moharaj (2003): A darker, heavier album released under Ektaar Music. Key Tracks: "Bangalira Ar Koto Dekhbe," "Swopno Tumi Nou".
Shotto (2012): Their most recent full studio release, returning to their heavy roots. Key Tracks: "Agami," "Purnota," "Shotto". Compilations & Special Releases
The Heavy Metal Legacy: A Guide to Every Warfaze Album Since their inception in 1984, Warfaze has been the cornerstone of Bangladeshi heavy metal. For over four decades, they have defined the sound of a generation, evolving through various lineups while maintaining their status as "the best Asian band".
Whether you're a lifelong fan or a new listener, this chronological look at their studio discography covers the hits, the history, and the evolution of their sound. 1. Warfaze (1991) If Poth Chola was the fire, Shotto (Truth) was the ice
The revolution began here. Released in 1991, this self-titled debut introduced the raw energy that would pave the way for Bangladeshi rock. Key Tracks: "Boshe Achi Eka," "Asha," and "Ekti Chele".
The Vibe: Pure, high-octane hard rock and heavy metal that captured the spirit of the youth. 2. Obak Bhalobasha (1994)
Widely considered a benchmark in Bangla rock music, this 1994 release solidified Warfaze's legendary status.
Key Tracks: The title track, "Obak Bhalobasha," remains one of the most iconic rock ballads in Bangladesh.
The Vibe: A perfect blend of melodic depth and heavy instrumentation. 3. Jibon Dhara (1997)
Released in 1997, Jibon Dhara continued the band's streak of successful albums, featuring 12 tracks that explored diverse themes.
Key Tracks: "Dhupchaya" and the original version of "Pothchola".
The Vibe: Introspective lyrics meeting complex, professional musical arrangements. 4. Oshamajik (1998)
This 1998 release was unique for featuring three lead vocalists, showcasing the band's incredible range across different genres. Key Tracks: "Oshamajik" and "Nei Tumi." Have we missed a rare EP or a specific live recording
The Vibe: Experimental and diverse, proving Warfaze wasn't afraid to push boundaries. 5. Aalo (2001)
The heaviest offering
Otto is often cited as the heaviest album in the Warfaze discography. With a stable lineup finally established, the band delivered a record filled with crunching guitars and aggressive vocals. It was a response to the growing metal scene in Bangladesh.
Breakthrough album – melodic yet hard
Resilience and Rebirth
By the early 2000s, Warfaze had undergone significant lineup changes. Original members had departed, and the band was rumored to have disbanded. Aalo silenced the critics. It introduced a new generation of musicians carrying the Warfaze torch. The sound was modernized, fitting into the 2000s rock landscape while retaining the classic Warfaze soul.
Label: Sargam Records Lineup: Sunny Hasan (vocals), Babna (guitar), Shantu (bass), Russell (drums), plus new keyboardist Jewel.
Musical Analysis:
A partial return to hardness. The title track "Oshamajik" is a driving hard rock song with a politically charged video (banned briefly by Bangladesh Television). The ballad "Shudhu Tumi" (Only You) became a college festival anthem. The production incorporates synthesizers, a nod to late-90s nu-metal influences.
Weaknesses:
Lyrical inconsistencies—some songs feel unfinished. The album’s second half loses momentum. Still, "Oshamajik" won “Best Rock Album” at the 2001 Bangladesh Cultural Merit Awards.