| Property | Value | |----------|-------| | Sample Rate | 44.1 kHz | | Bit Depth | 16-bit | | Channels | 2 (Stereo) | | Codec | FLAC Level 5–8 (varies by ripper) | | MD5 | Unique to this pressing |
Note: True FLAC from CD should have no spectral cutoff above 22.05 kHz. Check with Spek or Audacity to verify no transcoding (e.g., MP3 → FLAC).
The segment “7 81768-2” or simply 81768-2 is a pressing identifier. Let’s break it down: White Lion - 1987 - Pride.7 81768-2.flac
So 81768-2 is the Atlantic Records CD catalog number for the original 1987 Pride release. Collectors today search for that exact number to find the first pressing, which has unique mastering and often better dynamic range than later remasters.
The .flac extension stands for Free Lossless Audio Codec. Unlike MP3 or AAC, FLAC compresses audio without discarding any data. A FLAC file of “Wait” sounds identical to the original CD — but at half the size of a raw WAV. | Property | Value | |----------|-------| | Sample Rate | 44
For an album like Pride, recorded in the analog domain and mastered for CD’s 44.1 kHz / 16-bit standard, FLAC preserves:
Total length: ~44 minutes. The FLAC rip should split exactly at these index points from the CD’s table of contents. The segment “7 81768-2” or simply 81768-2 is
To the casual observer, “White Lion - 1987 - Pride.7 81768-2.flac” looks like a messy digital file name—perhaps a mislabeled download or a relic from an old hard drive. But to audiophiles, hard rock historians, and CD collectors, each segment of that string tells a compelling story. It speaks of a landmark album, a specific compact disc pressing, and the modern quest for lossless audio.
This article deconstructs that file name piece by piece, exploring why Pride remains a touchstone of 1980s glam metal, what the numbers “81768-2” reveal about the CD era, and why FLAC has become the gold standard for preserving classics like “Wait” and “When the Children Cry.”