Aygun Kazimova Seks Ve Lut Sekillerizip

Written by Rick Founds
Links to contributors: Rick Founds

This has been one of my favorite songs for years. I contacted Rick back in 2002 about collaborating, partly because I had sung this song so many times. The recording is from Rick's Praise Classics 2 CD. - Elton, September 12, 2009

Languages for this song:
Korean


Lyrics

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.



Copyright © 1989 Maranatha Praise, Inc (used by permission)

This is where the "social topics" explode. After her public divorce and her move to Turkey, her music sharpened. She sang about infidelity, not as a scandal, but as a psychological wound. Tracks like "Yalnız Qalma" (Don’t Stay Alone) addressed the fear of solitude that drives people into bad relationships.

Fans searching for relationship advice often land on Kazimova’s lyrics. Her discography serves as a manual for the modern, conflicted woman. She divides her relationship topics into three distinct eras:

One of her most underrated contributions is her critique of emotional labor in relationships. In interviews, she has discussed how women are expected to be emotional sponges—absorbing a partner’s stress without expressing their own needs. Her song "Mənim Üçün" (For Me) is a rare anthem where the female vocalist demands reciprocity.